广西师范大学硕士学位论文媒体化时代的文学批评姓名:蒋小英申请学位级别:硕士专业:文艺学指导教师:黎东明2008040120052090IIIIIIVAStudyonLiteraryCriticismintheMedializationAgeAbstractThemodernsociety,whichisoverlaidbymedia,isalsoasocietywhichispresentedbymedia.Bythismeans,itisamedializationageinfact.Themedializationageisanameforthemodeofcultureproduce,spread,acceptanceandconsumptioninoursociety.Inotherwords,nowthewayofcultureoperationandtheappearanceofCulturallifeinoursocietyaremainlypresentedbythemassmedia,particularlywiththreemarkingmediumasnewspapersandmagazines,internet.Therefore,wehavetobringthemassmediaintothefieldofacademicstudywhenwestudythedevelopmentandfutureofliterarycriticism.Thethesistriestoinquiryintoanimportantinfluencewhichfastdevelopmentofthemassmediaanditscontrolofwordsrightactonthecurrentliterarycriticismandtheirinteractiontrend,andexplainsthechangesoftheoperationwayoftheliterarycriticism,creationprocess,disseminationandacceptanceetc.inthemedializationage.Weaffirmtheaggressiveaspectoftheinteractionbetweenmediaandliterarycriticism.Wealsoanalyzetheseriousproblemswhicharelaidinmedializtionofliterarycriticisminanobjectiveandreasonableway.Inordertodevelopliterarycriticismhealthfullyandharmoniouslyinthenewculturalcontext,someVconstructivespeculationsareputforward.Onthepresentconditionofliterarycriticism,mediumormedializationistakenasabreakthroughpointonliterarycriticismwithoutquestion.Wecanfindoutthatliterarycriticismiseasilyinfluencedandrestrictedbymediumfromaviewoftherelationbetweenmediachangesandliterarycriticism.Particularlyinthemedializationage,mediumhasanimportantinfluenceeverywhereatanytime.Themedializationagenotonlymeanasocietywhichisplaceofconsumerism,butalsoistheagewhichbelongstoapicturetorevel.Becauseofitsmerchandiseconsciousness,marketconsciousness,consumeconsciousness,globalconsciousness,amusementandrecreationconsciousness,theoveralldevelopmentofliterarycriticismalwayscontactanactivepartofthemassmediumasdisseminatedcarriersclosely,andthenmakethemedializationbecomeapredominantcharacteristiconthedevelopmentofliterarycriticism.Asthechiefmediumofcommunicationinthemedializationage,themassmediaextendstothefieldsofliterarycriticismwithitsoverwhelminglytechnologicalforces,anditbecomethemostviolentandactivedevelopmenttrendofmedializationinthehistoryofliterarycriticisminChinasincethe1990s.Themassmediaprovidebetterconditionsfortheproduce,spread,texttransformationofliterarycriticismasaformoftool,andactonthewholeprocessesVIoftheliterarycriticismactivitywithitsprinciplesofoperation,waysofoperation,directionsofaestheticsandstandardsofvalueasakindofimportantexteriortogetintoliterarycriticism,andforcedliterarycriticismtochangeitsoperationway,creationprocess,disseminationandacceptanceetc.andmoreorlessbrandedsomemedializationinit.Intheinteractiveprocessofmediaandliterarycriticism,thedistancebetweenliterarycriticsandaudiencesisnearer,andthetasteandqualityofthemediasthemselvesisimprovedanditishelpfultoformandpromotediversificationintheliterarycriticismsystem.Thedevelopmenttrendofmedializationofliterarycriticism,whichhasbecomeobjectivefactasakindofculturalphenomena,istheinevitableoutcomeofderivativeandcontinuousculturalrightofthemassmedia.Infact,itisnotreasonableactiontonegatetheexistenceofmedializativecriticismasakindofculturephenomenon,tonegatethedeconstructionandpressureonthetraditioncriticalsolutionfrommedializativecriticism,andtonegatethetemptationandattractiontotheaestheticinterestofliteraryconsumersfrommedializativecriticism.Tonegatethosethingsrevealthatacritichidehissicknessforfearoftreatmentandcannotguidemedializativecriticismtodevelophealthfully.Therefore,themediumwhichliterarycriticismVIIturndevelopmenttrend,keepingnoodlestheexistentinthisdevelopmenttrend,isarightattitudetofaceseriesofbigchronicandstubborndiseaseinthedevelopmentofmedializationofliterarycriticism.Toacertainextent,themerchandiseconsciousness,operationway,aestheticinterest,standardsofvalueofmediumitselfcausetheproblemssuchasadisturbanceorcontroversyfilledwiththefieldsofliterarycriticism,mercenarybusinessfeelingandtheabsenceofaestheticcriticismetc,alsomaketheliterarycriticismbecomeakindofdeceitfulprosperity.Therefore,itisagrandmissionhistoryandtheerahaveentrustedtousthatwepreachsubjectaccomplishment,standardsofvalue,andaestheticdemandsofliterarycriticismagain,andbringupnewdemandsforitinaccordancewithitspracticalcriticism.Itisalsoareasonablechoicetoleadliterarycriticismtodevelophealthfully.Combiningtheorywithpracticalcriticismandcomparingtraditionalcriticismwithmedializativecriticismarethebasicresearchmethodsappliedtointhisthesis.Basedonmostextensiveachievementsofpastgenerationsaswellasourown,thisthesishasdoubtlesslytremendouspossibilitiestoputthehighlycurrentstudyofliteraturecriticisminthemedializationageonaprofoundbasisforwardcontinuously,andmakegreatefforttoincarnateseriousVIIIhumanitiesresearchandresearchthechangeofontologyofliteraturecriticisminthemedializationageinabuoyantmood.Keywords:Massmedia;Literature-criticism;Interaction;Thepoeticalcharacter2008413200841320084131190919352