德勒兹时延电影理论视阈下的-影像-建筑创作思想阐释-刘杨

110201310110ILLUMINATING“IMAGE”ARCHITECTURALCREATIONTHOUGHTSFROMTHEPERSPECTIVEOFDELEUZE’STIME-LAPSEFILMTHEORYLiuYang,LinJianqunABSTRACT/Thispaperanalyzesthetranscendencyoflinearsession,thebreakthroughof“perception-movement”,theimages-basedperspectiverenderedbytheimmediateimages,andthemulti-dimensionalmodesofthinkinginthelogicalprocessofarchitecturaldesignofthephotoelectronerathroughDeleuze’sTime-lapsefilmtheory.Itestablishesarelationshipbetween“image”architecturalthoughtsandtime-lapsefilmtheory.Theaimofthestudyistoprovidenewthoughtsandresearchperspectivesonarchitecturalcreationthatcanadapttothedevelopmentofpost-industrialsocietyandontheanalysisandinterpretationofcontemporarycomplexarchitecturalphenomenon.KEYWORDS/Deleuzephilosophy;Time-lapsefilmtheory;image;architecturalcreationthoughts111201310111[1]8[2]57[3]50[4]50’’’’’’’’’’’’112201310112[4]51-53’’’113201310113[5]25114201310114[7]86-100115201310115[1][2][3][4][5][6][7]