硕士论文-中日园林造园艺术比较

重庆大学硕士学位论文中日园林造园艺术比较姓名：罗丹荔申请学位级别：硕士专业：设计艺术学指导教师：李向北20050501IIIIIIABSTRACTChinaisthecradleoftheEastern,andevenglobalnaturalgardens.Herlongandeverlastinghistoryandcompoundculturalaccumulationreflectedingardeningarthasbroughtaboutthemostmatureformofnaturalgarden---humanisticnaturalgarden.ChinesethoughtandgardeningarthaveinfluencedJapangreatlyandnurturedgardeningartwithJapanesecharacteristics.Combiningtheirgeographicalfeatures,localculture,andtheestheticideaoftheChansect,Japanesehavecreated“StoneGarden”and“tea-kiosk”.Asfarasmodernlandscapedesignisconcerned,alotoffurtherexplorationanddevelopmenthavebeenmadeinthefieldofJapanesegarden.Itsfeaturesofbrevityanddown-to-earthhavepenetratedthemodernJapaneselandscapedesignsothataperfectlandscapedesignsystemhaveformed,and,tosomeextent,thishasconformedtotheworld’ssimplistictrend.It’sapitythatChinesegarden,duringtheprocessoftransitionfromclassicgardentomodernlandscapedesign,doesn’tdevelopfurtheronaccountofvariousfactors.Onthewhole,thereismuchroomforChinesegardenarttodevelopfromtheperspectiveofinheritingandembodyinginmodernlandscapedesignalthoughtherehaveappearedmanyexcellentandancient-imitatinggardenworksandlandscapedesignworks.Therefore,thepresentpaperintendstocompareChinesegardeningartisticapproachesandthatofJapanese.Thepaperdoesnotcomparethetwomodelsonly.ButthemoreimportantisthatitwillborrowthesuperiorfactorsofJapanesegardensandhelpfurtherunderstandChinesetraditionalgardeningart.ThecomparisonbetweenChineseandJapanesegardenartissummarizedlikethis:I.BothChinesegardensandJapanesegardensbelongtotheEasterngardensystem,ofthem,theformeristheorigin,andthelatterisderivation.II.BothChinesehumanisticnaturalgardensandJapanese“StoneGarden”“tea-kiosk”areexcellentformsofgarden.Theyareworthyofstudy.III.Throughanalysisandcomparison,thepapercanhelpfurtherunderstandingofChinesetraditionalgarden,helpgettoknowthegardeningelementsofexcellentonesinbothcountries.Especially,theecologicalprincipleandtheconceptthatrespectingthenatureandtreasuringtheresourceinJapanesegardendesign.It’sworthwhiletolearnfromJapanesewhohavesuccessfullyinheritedandappliedtheirtraditionalgardeningIVarttomodernlandscapedesign.IV.RetrospectionofhistoryandgettingtoknoweachotherhaverealisticallyinstructiveimportanceinChinesemodernenvironmentalartisticdesign.Methodsandapproaches:Firstly,thepaperwillanalyzeandcompareroughlythedifferencesbetweenthetwocountries’geographicalsurroundingsandculturalbackgrounds.Thenitwillanalyzethedevelopmentandhistoricalorigin.Thirdly,itwillanalyzeandcomparegardeningartconcerningfivemainfactors:placingstones,purifyingwater,rebuildinghills,buildings,andplants.Thiswillbebasedoncasestudy.Finally,itwillanalyzeandcomparetheactualsituationofmodernlandscapedesigninbothcountries.ThepaperputsforwardthatweshouldlearnfromJapanesewhencarryoutmodernlandscapedesignsothatwecanbeawareofdevelopingdirection.Keywords:Chinesegardens,Japanesegardens,comparisonofgardeningart,modernlandscapedesign,explorationanddevelopment1111.11.1.1121.1.21.2132422.12.1.1“”“”2.1.2252.1.3262.1.4”,2.1.5272.2282.2.12.2.2,S2.2.3“”,2.2.4,292.2.5”:2102.2.631133.13.1.1“”()3.1.23.1Fig3.1TheCloud-CappedpeakintheLingeringGarden3123.3Fig3.3TheatriuminKyotoRyoanji3.1.316.53.123.2343.2Fig3.2ThegrotesquepeaksatsunsetintheGardenofHarmony313(3.3)3.43.1.4“”3.4Fig3.4Thenortherncourtyardofabbot’sroominKyotoDaitokuji3143.5Fig3.5TheLaurelCurtilage3.1.51234L”3.6Fig3.6TheloutuspatterninfloorintheLingeringGarden3153.53.1.63.63.7Fig3.7TheflyingstoneinTaikouji3.8Fig3.8TheflyingstoneinKyotoShugakuinRikyu3163.73.83.23.2.1“”“”3.2.2“”“”3.9Fig3.9TheIslandofthePavilioninLotusBreezes3173.9“”3.103.10Fig3.10ThepoolaheadthePineTweedlePavilioninKatsuraDatachedPalace3.11Fig3.11ThenorthernpoolinKyotoGosho3183.113.2.33.123.2.43.12Fig3.12ThepoolaheadtheHanbiMountainVillaandthePellucidTowerintheLingeringGarden3193.2.53.2.63.33.3.13.3.23.3.33.13Fig3.13TheMentalismMountaininOkayamaKorakuen3203.3.43.133.3.5“”“”“”3.143.14Fig3.14ArtificialHillintheMountainVillaofSecludedBeauty321V3223.43.4.1“”3.4.23.4.33.4.43.4.53.15Fig3.15TheCollegeinKatsuraDatachedPalace323“”3.1513.16Fig3.16TheSecludedPavilionofFirmianaSimplexandBamboointheHumbleAdministrator’sGarden324“”“”3.16“”“”23.173.17Fig3.17thePineTweedlePavilioninKatsuraDatachedPalace3253.183.191”3.18Fig3.18TheWaterCorridorintheHumbleAdministrator’sGarden3.19Fig3.19TheWindingCorridorinYamanash-kenYtokoji3.20Fig3.20TheFragrantIsleintheHumbleAdministrator’sGarden326”””“”“”“”“”3.2023.21Fig3.21ThestoneBridgeaheadthePavilioninLotusBreezesintheHumbleAdministrator’sGarden3.22Fig3.22ThewoodbridgeintheOkayamaKorakuen32713.21,23.2213.23()Fig3.23Thedragon(cloud)wallintheLingeringGarden3283.2323.24“”“”3.253.24Fig3.24ThebamboowallinKatsuraDatachedPalace3.25Fig3.25LatticedWindowintheLionGroveGarden:TheSeven-StringedMusicalInstrument3291,,:,3.262a,,,,,,,b3.27Fig3.27ThestonelanternintheKanazawaKenrokuen3.26Fig3.26ThememorialgatewayintheSummerPalace3303.27c“”3.283.28Fig3.28Thecoin-formhand-washingearthenbowlwhichcarving“clothandsilk”intheKyotoDaitokuji3313.