论隐喻与象征的关系

284()20077Vol.28,No.4JournalofJishouUniversity(SocialSciencesEdition)Jul.2007论隐喻与象征的关系X朱全国(南京大学中文系,江苏南京210093):隐喻与象征的关系十分密切,隐喻是象征的基础,象征是隐喻的体系化二者的不同主要体现在三个方面:象征指向观念,隐喻指向具体的事物;象征的意义是理性的自在的,隐喻的意义则是关联的经验的;象征追求主体的完整意识,隐喻则重在主体的具体感受与体验:隐喻;象征;自在性;关联性;意义:H04:A:1007-4074(2007)04-0167-03:朱全国(1974-),男,湖北十堰人,南京大学中文系2005级文艺学专业博士研究生,,,/,,,,,0[1](P210),,,一隐喻与象征之间的暧昧关系,,/,:,,0[1](P214),,,/0,,()(),,,/0(Manisawolf),,[2](P25-48),,,,)))/,,0))),/##-.,,-.,0[3](P3),,,,,/,,,,0[3](P4),,,,,X:2007-05-10,,/;,0[4](P93)56/0,,,()()()(),,,,,,,,,/0/0/0[5](P16)/,,,,,,0[6](P16),,56,,/,,,0,[6](P16-17):/0;,/:,;,,0[6](P17),,,,二隐喻与象征之间的区别,,,/,0[7](P12)/0/0,,,,,/0/0,?,/0[7](P13)/0/0,/,0/,,0[7](P13),/0/0,,,,5#6,/P0,,5656,,,,,,,,/-.-.,,,()0[7](P214-215),,,,,,,,,,/0()[1](P123),,,/,,,(Sinn),(Bedeutung),0[8](P93),,/0,,,,,,,,168,,,/,,0[8](P94),,,,(),,,,,,,,,)))))),,/:,;,0[9](P198),/0,,,,,,,,,/0,,/0[10](P56),(),,,,5#6,,,,,,/,,0[10](P56),,,,三结语,,,,,,,,,,,,,/0[11](P122):[1][美]勒内#韦勒克,奥斯汀#沃伦.文学理论[M].刘象愚,邢培明,陈圣生,李哲明译,南京:江苏教育出版社,2005.[2]MaxBlack.ModelsandMetaphors[M].NewYork:CornellUniversityPress,1962.[3][英]查尔斯#查德威克.象征主义理论[M].花非花)))象征主义诗学.柳杨编译,北京:旅游教育出版社,1991.[4][英]西蒙斯.印象与评论:法国作家[A].范九生译.黄晋凯,张秉真,杨恒达.象征主义#意象派[C].北京:中国人民大学出版社,1989.[5][爱尔兰]叶芝.威廉#布莱克作品[M].伦敦1893.[6]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,2005.[7][德]黑格尔.美学:第2卷[M].朱光潜译,北京:商务印书馆,1979.[8][德]伽达默尔.真理与方法[M].洪汉鼎译,上海:上海译文出版社,2004.[9][德]康德.判断力批判[M].邓晓芒译,北京:人民出版社,2002.[10]张首映.西方二十世纪文论史[M].北京:北京大学出版社,1999.[11]张沛.隐喻的生命[M].北京:北京大学出版社,2004.(责任编辑:粟世来)(英文下转第176页)169AContrastiveStudyontheSymbolicMeaningsofColorWordsinEnglishandChineseLIL-ijun(HunanInternationalEconomicsUniversity,Changsha,Hunan410205,China)Abstract:Colorwordsbelongtothemainsensorywordsofhumanlanguage,andtheyaretheindispensablepartsoflan-guageandcultureofanation.Theiruniquelanguagefunctionandbroadculturalsymbolicmeaningreflectspecialcolormeaningandculturaltradition.Colorwordsindifferentnationshavedifferentfeatures,someofwhich,afterbeingex-tendedandconverted,havebecomereverenceandtaboowordsofcolors.Thisdifferenceiscausedbydifferenthistoricalandculturalbackgroundaswellasaestheticpsychologyofdifferentnations,andisestablishedwiththedevelopmentofsocietyandhistory,thereforeitisapermanentculturalphenomenon.Thispaper,fromtheperspectiveofcontrastiveanalysisofChineseandwesternculture,analyzestheinfluenceofcultureonthesymbolicmeaningsofcolorwords.Keywords:colorwords;languageandculture;symbolicmeaning;colorreverence;colortaboo(上接第169页)OntheRelationshipbetweenMetaphorandSymbolZHUQuan-guo(ChineseDepartment,NanjingUniversity,Nanjing,Jiangsu210093,China)Abstract:Metaphoristhebaseofsymbolandsymbolisthesystemofmetaphor.Therearethreedifferencesbetweenthem.Firstly,symbolaimsatconceptwhilemetaphoraimsatparticularthings.Secondly,themeaningofsymbolisratio-nalandunrestrained,however,thatofmetaphorisrelevantandexperienced.Thirdly,symbolseeksawholeconscious-nessofthesubject,whilemetaphoremphasizesparticularfeelingsandexperienceofthesubject.Keywords:metaphor;symbol;unrestrained;relevant;meaning(上接第172页)StudyonSynaesthesiafromtheCognitivePerspectiveSHILin1,2(1.DepartmentofCollegeEnglish,JishouUniversity,Jishou416000,Hunan,China;2.ForeignStudiesCollege,HunanNormalUniversity,Changsha410081,Hunan,China)Abstract:Synaethesia,inessence,issynaestheticmetaphor,whichshowsthemappingofpropertiesfromonesensoryor-gantoanother.Themappingisfromthelowersensoryorgansontothehigherones,i.e.,fromthemoreaccessiblecon-ceptstothelessaccessibleones.Thesimilaritiesbetweenthepropertiesofsensoryorgansarebasedonthepsycholog-icalassociationwhichisinfluencedbyculture.Keywords:synaesthesia;metaphor;cognitive176