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Warmingup&readingWhatkindsofpaintingsdoyoulike?ChineseorWestern?Wheredoyoualwaysseethesepaintings?Thinking:galleryroomorbuildingforshowingworksofartArtisinfluencedbythecustomsandfaithofapeople.trust,belief,confidenceArtcanbedividedintomanydifferentstyles.Wemayprobablybeinfluencedbyother'smind.Thestudentsareusuallyinfluencedby_______________________.1.Loveasksfaith.2.MystrengthcomesfrommyfaithinGod.3.Thoughhefailedmanytimes,hedidn’tlosehisfaith.Theartistadoptthetechniquewhichwastoshowtherelationofthelightandshadow.methodYoushouldimproveyourwritingtechnique.Thisstyleofpaintingusedtobeconsideredasridiculousones.silly;unreasonableThatfatwomanlookedridiculousinhertightgoldendress.…adopt…ridiculous…Themayoradoptaridiculoussuggestion.abstractnotspecific;basedongeneralideas•abstractadj.抽象的，深奥的n.摘要v.摘录，提取，分离eg:Beautyisabstractbutahouseisnot.美是抽象的，房子是具体的。•拓展:•abstract…from…从…中提取intheabstract抽象地，一般性地1)Thearticlewasabstractedfromalongernewbook.2)I'mjusttalkingintheabstractnow.ComparisonofWesternandChinesepainting.TimeWesternChinese5thto15thcenturyAD15thto16thcenturyLate19thcenturytoearly20thcentury20thcenturytotodayWhichdoyouthinkhasagreaterchange?Whydowesternpaintingshaveagreaterchange?Nowwe’dliketolearnsomethingaboutthehistoryofwesternpainting.Firstpleasewritethewordsaccordingtotheirexplanations.1.g______2.s_______3.f_______4.p_________5.r_________6.c_________7.c_________8.p_________1.aplacewheremanypicturesorpaintingsareondisplay2.aperson,athing,etcthatstandforamoregeneralqualityorsituation3.togiveattention,effecttoaparticularthing,situationorpersonratherthananother4.somethingoneowns;wealth5.veryfunny,sillyorunreasonable6.causingdiscussionanddisagreement7.tomakesbbelievethatsomethingistrue8.foretell;tosaysomethingwillhappeninthefuturealleryymbolocusossessionidiculousontroversialonvinceredictScanning:PartOneAnIntroductiontotheHistoryofWesternPaintingGothroughthepartandanswerthefollowingquestions:Whatinfluencesart?Thewayoflifeandbeliefsofthepeople.WhyhasChineseartchangedless?BecauseChinahasfollowedasimilarwayoflifeforaverylongtime.Whycan’tthetextdescribeallthestylesofwesternart?Becausetherearetoomanydifferentstyles.PartTwoTheMiddleAges(5thto15thcenturyAD)Readthepartcarefullyandfillintheblanks:Inthe____oftheMiddleAges,artistshowedmuch______inshowingrespectandloveforGod_______showingnatureandpeopleastheyreallywere.Andpaintingsfromthisperiodare_____withreligious_______._______,thingshadbeguntochangebythe13thcenturywhensomepainters,_________GiottodiBondone_____amorerealisticstyleof______religiousscenes.periodinterestinsteadoffilledsymbolsHoweverforexamplecreatedpaintingsinceretobelieveingodorgodsreligiousthemeGiottodiBondone(1267-1337).Florentinepainterandarchitect.HewasrecognizedasthefirstgeniusofartintheItalianRenaissance.Giottolivedandworkedatatimewhenpeople’smindsandtalentswerefirstbeingfreedfromtheshacklesofmedievalrestraint.Hedealtlargelyinthetraditionalreligioussubjects,buthegavethesesubjectsanearthly,full-bloodedlifeandforce.Nowlet’sknowGiottodiBondoneandoneofhispaintingsandsomeotherpaintingsatthattime.GiottodiBondone乔托·迪·邦多纳犹大之吻圣母与圣婴天使报喜织锦画PartThreeTheRenaissance(15thto16thcentury)ReadingthepartanddealwiththefollowingproblemsWhat?Why?Result?…tooktheplaceof…,becamefocusedmoreon...Richpeople…collectartfor…,paid…topaint…themselves,houses,possessions,activities,achievements…returnedto…,triedtopaint…as….FillintheblanksPaintersthen________howtodrawthings___________.AndMasacciowas________useperspectiveinhispaintings.Whenhispaintings_____________,people________________theirreality.____therulersofperspectivenotbeendiscovered,peoplewouldn’thavebeenabletopaintsuchrealisticpictures.Andoilpaints’_________madecolorslookricheranddeeper.discoveredinperspectivethefirsttowerefirstseenwereconvincedofHaddevelopmentMasaccio(1401-1427),thefirstgreatpainteroftheItalianRenaissance,whoseinnovationsintheuseofscientificperspectiveinauguratedthemodernerainpainting.Nowlet’sknowMasaccioandhispaintings,anothertwopaintersatthattimeLeonardodaVinciandRaffaelloSanzioandtheirmostfamouspaintingsandsomeotherpaintingsatthattime.LeonardodaVinci(1452-1519)RaffaelloSanzio(1483-1520)拉斐尔TheSchoolofAthensPartFourImpressionism(late19thtoearly20thcentury)Dealwiththefollowingproblems:ChangesInsocietyInlifeInartThreeaspectsChanged…fromagriculturaltoindustrial,…inventions…..movedfromcountrytocity…ledtochanges…,…brokeawayfrom…impressionists…inParis.…paintoutdoors,…toshow…fell…atdifferenttimes…,because…change…,hadto…Feature…notasdetailedas…Criticism…hated…becameangry…,…said…careless…ridiculous.印象派是19世纪后半期诞生于法国的绘画流派,其代表人物有莫奈、雷诺阿、西斯莱、德加等。他们继承了法国现实主义前辈画家库尔贝“让艺术面向当代生活”的传统,使自己的创作进一步摆脱了对历史、神话、宗教等题材的依赖,摆脱了讲述故事的传统绘画程式约束。艺术家们走出画室,深入原野和乡村、街头,把对自然清新生动的感观放到了首位,认真观察沐浴在光线中的自然景色,寻求并把握色彩的冷暖变化和相互作用,以看似随意实则准确地抓住对象的迅捷手法,把变幻不居的光色效果记录在画布上,留下瞬间的永恒图像。这种取自于直接外光写生的方式和捕捉到的种种生动印象以及其所呈现的种种风格,不能不说是印象派绘画的创举和对绘画的革命。印象派美术运动的影响遍及各国,获得了辉煌的成就。莫奈自画像日出·印象(油画/1872年-1873年)克劳德·莫奈巴黎蒙特戈依街道:1878年6月30日节日(油画/1878年)克劳德·莫奈莫瑞桥--阿尔弗莱德·西斯莱赛艇--局斯塔夫·卡耶博特蓬图瓦兹.埃尔米塔日的坡地--卡米耶·毕沙罗Let’sappreciatesomepaintingsofthattimes凡