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20012(43):(,100871):,,,,,,:;;;Abstract:Aestheticismanddecadencerepresentednotonlycurrentsofartisticsensibilitybutalsoaspeciallifestyleofcosmopolitanmetropolis.Theexperi2enceofconsumeristsocietycouldbeaestheticizedunderthenameoftheideasexpressedbyPater,Wildeandotheraesthetes,andtherebyreceivedvalida2tionasanideallifestyle.ButinChina,aestheticismexpressedinSalomebe2cameidentified,intheworksofauthorssuchasGuoMorouandTianHan,withthecampaignsagainsttraditionalConfuciancultureandforenlighten2mentthatfollowedinthewakeoftheMay4culturalmovement.Forsuch76writers,thecommodifiedrelationsandsensoryreificationbehindaestheticismweresupplantedbytherelationshipbetweenmodernityandtradition.Thisren2ditiondivestedSalomeofherdecadenteroticism.Salomethereforeassumedin2steadtheprimaryroleasarebelanddestroyeroftraditioninmodernChineseliterature.Keywords:Salome;aestheticism;consumerism;modernity(Salome)(Herodias),(Herod),,,,19,(Heine)(AttaTroll,1841),(Flaubert)(Mallarme)(Herodias,1877)(Herodiade,),(GustaveMoreau)(1876)(1878),,(Huysmans)(ARebours,1884):,,(1893)(1896),(AubreyBeardsley)86(1894),(RichardStrauss)(Dresden)(1905),1920,,??,(femmefatale),,(Keats)(LaBelleDamesansMerci),(Merime)(Carmen),(Gautier)(Clopatra),(Salammbo),(Swin2burne)(dAnnunzio)19,,,,,,,,,,,,,,,,,(ErnestDowson),,,96:,,,,,,,,,,30,,,,?,,?,19497,,8019161922,,,,(ArthurSymons),07(1899)lv,,(DeProfundis)lw(1921),,,,lx,ly1929,1907,,MoriOhgai1907,19091912(AllanWilkieandCompany),1913,,19121925,127,14,,,lz,,,,,,19141915,l{192917(1929)192977:,,,l|,,,,l},,,,(1988)l~,,(1924):,,mu(1922)!!!!mv,,(1926),,/mw;(1929)mx27,,,,!!Salome,Salome,my:,(1925),:/mz,,,,,:,,,m{20,,,m|37(1923),,:(1873)19221931,,;m},,,??,,,,,,,,;,(FredricJameson),,,:,,m~,,(JohnCage),,,,,47,,,,,,,nu,,,(RegeniaGagnier)(1986)nv(JonathanFreedman):(1990)nw(RachelBowlby)(1987),,:,:,:,nx,,,57,,,ny,nz,,,,,,,,;,;,,n{,,30,,67n|,,,3040,n},,n~,,,,,(1930):,,ou,,,,,,77,,(TheYellowBook),,(1993),,,,ov,,,,,,ow,,ox,,K,oy,oz(1929),:,,87,,,,o{,,,,:():,,,,,,,,,,,,,,,,,,Sana,Everprotecto|,,,,,,(GeorgLukacs)(reifica297tion)(1923),:,,,,,,:,,,,,o},,,,,,,(1981),,,(JosephConrad)08,,,,,,,,,o~,,,,,,,,,,,,,,,,,,;1929,,18,,,(),,(),,pu,,,,:,;,!pv(1932):,,,,,pw,;,,,,,,,,,,,px28,,,,,,,,,py,;,,,,,,pz,,,,,p{,38,?1921,,,,,,,,,,,,,p|,,,!,:,,p}48,,,!p~,,1929,;,,,,qu,,,,,qv,:,qw,,,,:,,3,,58:,(14:112),(6:1429)SeeMarioPraz,SalomeinLiteraryTradition,andRichradEllmann,OverturestoWildesSalome,inRichardStrauss:Salome,ed.,DerrickPuffett,Cambridge:CambridgeUniversityPress,1989,pp.1120,2135.(GustaveMoreau,18261898):SalomeatthePrison(187376),SalomeDancingbeforeHerod(1876),DanceofSalome(1876),TheApparition(1876),Salome(GazingattheHeadofJohntheBaptist,1976),Salome(HoldingJohntheBaptistsHeadonaPlatter,1876),SalomeintheGarden(1878),Salome(HoldingupJohntheBaptistsHeadonaPlatter,1885),Sa2lome(attheColumn,188590),SalomeHoldingtheHeadofJohntheBaptist(188590),Pierre2LouisMathieu,GustaveMoreau:CompleteEditionoftheFinishedPaintings,WatercoloursandDrawings,Oxford:ThaidonPress,1977,pp.12627,131,32233,326,354,363SeeMarioPraz,SalomeinLiteraryTradition,op.cit.,p.14.femmefatale,MarioPraz,TheRomanticAgony,trans.AngusDavidson,Oxford:OxfordUniversityPress,1954,pp.199301;VirginiaM.Allen,TheFemmeFatale:EroticIcon,NewYork:TheWhitstonPublishingCompany,1983,,,1987,1-6,MateiCalinescu,FiveFacesofModernity,Durham:DukeUniversityPress,1987,MarshallBerman,AllThatIsSolidMeltsintoAir:TheExperienceofModernity,London:Verso,1983;:,,1989,921920,(192032141)1921,29(19213,2451),192316;1927,;1934,;1937(),;1946,;,();,192710,8891,,1997,1722,,682000,575611,1988,459-492;19892lv,1996,177106lw,19854,93lx:,3,45,19211011ly19203,1996,161163lzSeeKimmieImuraLawlor,SalomeinJapan:ADramaofDesire,inTheForceofVi2sion,I:DramasofDesire,VisionsofBeauty(ProceedingsoftheXIIIthCongressoftheInternationalComparativeLiteratureAssociation),eds.,EarlMiner,ToruHagaandetal,Tokyo:InternationalComparativeLiteratureAssociation,1995,pp.3841,45.,JeffNunokawa,OscarWildeinJapan:Aestheticism,Orientalism,andtheDerealizationoftheHomosexual,PrivilegingPosi2tions:TheSitesofAsianAmericanStudies,eds.,GaryY.Okihiroandetal,Washing2ton:WashingtonStateUniversityPress,1995,pp.281290l{:,,1993,21919141915,l|19291,4l}14,1987,343344l~:,19881,625,19871,4449;:,(2),1996,166180,mu1,,1982,148mv:,137,19227,32mw:,1926,96mx,1983,55my:,1994,202978mz,,1996,113m{WalterPater,ConclusiontoRenaissance,seeTheTheoryofCriticismfromPlatotothePresent:AReader,ed.,RamanSelden,London:Longman,1988,pp.250251.m|,,,,,:,19962,141m}:,1997,1517m~Jameson,Fredric:PostmodernismandConsumerSociety,inHalFoster,ed.,Post2modernCulture,LondonandSydney:PlutoPress,1985,p.120.nu,p.125nvSeeRegeniaGagnier,IdyllsoftheMarketplace:OscarWildeandtheVictorianPublic,Aldershot:ScolarPress,1987.nwJonathanFreedman,ProfessionsofTaste:HenryJames,BritishAestheticism,andCom2modityCulture,Stanford:StandfordUniversityPress,1990.nxRachelBowlby,ShoppingwithFreud(London:Roultedge,1993),pp.2324.ny:1926,,1989,3;192519371929,,,1993,251;1935,1,1