(10points)Musicmeansdifferentthingstodifferentpeopleandsometimesevendifferentthingstothesamepersonatdifferentmomentsofhislife.Itmightbepoetic,philosophical,sensual,ormathematical,butinanycaseitmust,inmyview,havesomethingtodowiththesoulofthehumanbeing.Henceitismetaphysical;butthemeansofexpressionispurelyandexclusivelyphysical:sound.Ibelieveitispreciselythispermanentcoexistenceofmetaphysicalmessagethroughphysicalmeansthatisthestrengthofmusic.46)Itisalsothereasonwhywhenwetrytodescribemusicwithwords,allwecandoisarticulateourreactionstoit,andnotgraspmusicitself.Beethoven’simportanceinmusichasbeenprincipallydefinedbytherevolutionarynatureofhiscompositions.Hefreedmusicfromhithertoprevailingconventionsofharmonyandstructure.SometimesIfeelinhislateworksawilltobreakallsignsofcontinuity.Themusicisabruptandseeminglydisconnected,asinthelastpianosonata.Inmusicalexpression,hedidnotfeelrestrainedbytheweightofconvention.47)Byallaccountshewasafreethinkingperson,andacourageousone,andIfindcourageanessentialqualityfortheunderstanding,letalonetheperformance,ofhisworks.(PS:ThewaytocontactyumingkaoboTEL:silingling-liuliuba-liujiuqibaQQ:772678537)Thiscourageousattitudeinfactbecomesarequirementforthe’smusic.Hiscompositionsdemandtheperformertoshowcourage,forexampleintheuseofdynamics.48)Beethoven’shabitofincreasingthevolumewithanextremeintensityandthenabruptlyfollowingitwithasuddensoftpassagewasonlyrarelyusedbycomposersbeforehim.Beethovenwasadeeplypoliticalmaninthebroadestsenseoftheword.Hewasnotinterestedindailypolitics,butconcernedwithquestionsofmoralbehaviorandthelargerquestionsofrightandwrongaffectingtheentiresociety.49)Especiallysignificantwashisviewoffreedom,which,forhim,wasassociatedwiththerightsandresponsibilitiesoftheindividual:headvocatedfreedomofthoughtandofpersonalexpression.Beethoven’smusictendstomovefromchaostoorderasiforderwereanimperativeofhumanexistence.Forhim,orderdoesnotresultfromforgettingorignoringthedisordersthatplagueourexistence;orderisanecessarydevelopment,animprovementthatmayleadtotheGreekidealofspiritualelevation.ItisnotbychancethattheFuneralMarchisnotthelastmovementoftheEroicaSymphony,butthesecond,sothatsufferingdoesnothavethelastword.50)OnecouldinterpretmuchoftheworkofBeethovenbysayingthatsufferingisinevitable,butthecouragetofightitrenderslifeworthliving.46.Itisalsothereasonwhywhenwetrytodescribemusicwithwords,allwecandoisarticulateourreactionstoit,andnotgraspmusicitself.中国考博辅导首选学校【句型分析】本句主句主干为itisthereason,why引导定语从句,修饰thereason。定语从句的主干是allwecandoisarticulateourreactionsandnotgraspmusicitself,其表语是不定式短语,由于主语中含有do,不定式符号to省略:articulateourreactionsandnotgraspmusicitself。ourreactions之后toit为其定语,it指代music。定语从句中还包含when引导的时间状语从句。【翻译要点】①本句主干的主句是主系表结构,reason后why引导的定语从句较长,翻译时可以与主干部分结合,调整表达为:这也就是为什么….。②定语从句中,when引导时间状语从句,其中withwords做状语,翻译时需调整语序到其修饰的todescribe之前,可以表达为“当我们尝试用语言来描述音乐时”。定语从句的主干顺译即可,其中reaction根据语境,可以翻译为“感受”,其定语toit在表达时前置,it指代还原为“音乐”,则可以翻译为“所有我们能做的,就是明确表达我们对于音乐的感受”,或者调整表达为“我们只能明确表达我们对于音乐的感受”。and之后,grasp依据语境,需要翻译为“理解”。【译文总结】这也是为什么当我们试图用语言来描述音乐时,我们只能明确表达我们对于音乐的感受,而不能完全理解音乐本身。47.Byallaccountshewasafreethinkingperson,andacourageousone,andIfindcourageanessentialqualityfortheunderstanding,letalonetheperformance,ofhisworks.【句型分析】本句为并列句。第一个分句hewasafreethinkingperson,andacourageousone,句首byallaccounts为固定搭配,意思是“根据各方面说”。第二个分句的主干为Ifindcourageanessentialquality,,而anessentialquality是宾语补足语。quality后介词短语fortheunderstandingofhiswork为其定语,其中还包含一个插入结构letalonetheperformance。【翻译要点】①第一个分句结构比较简单,句首固定搭配byallaccounts,可以调整表达,翻译为“据大家所说”。主干顺译即可,其中he指代“贝多芬”,one指代person。这一部分可以翻译为“贝多芬是个思想自由、充满勇气的人”。②第二个分句,主干为“我发现勇气是一个关键品质”,quality后为其定语fortheunderstandingofhiswork,其中theunderstandingofhiswork意思为“对于其作品的理解”,做词性转化后,可以表达为“理解其作品”,这个介词短语需要调整语序前置于quality,可以翻译为“理解他作品的关键品质”,则第二个分句可以表达为“我发现勇气,是理解他作品的关键品质”。还可以调整表达为“我发现勇气这一品质,是理解他作品的关键”。③在定语fortheunderstandingofhiswork中的插入成分,在逻辑上letalone并列theunderstanding和theperformance,二者共用定语ofhisworks,顺译句末即可:更不必说是演出其作品的关键品质。【译文总结】人们普遍认为,他(贝多芬)是个思想自由、充满勇气的人,我发现勇气这一品质,是理解他作品的关键,更不必说是演出其作品的关键。48.Beethoven’shabitofincreasingthevolumewithanextremeintensityandthenabruptlyfollowingitwithasuddensoftpassagewasonlyrarelyusedbycomposersbeforehim.【句型分析】本句主干为Beethoven’shabitwasusedbycomposersbeforehim。本句的谓语为被动语态,主语habit后介词短语ofincreasing为其定语,是由介词of与and并列的两个动名词短语increasingthevolumewithanextremeintensity和thenabruptlyfollowingitwithasuddensoftpassage构成。【翻译要点】①本句主干较为简单,但是主语habit后有很长的后置定语:Habitofincreasingthevolume…,其中“habit”可以词性转换为动词“习惯”,而中文常常先表达次要信息,则这一部分可以翻译一句话“贝多芬习惯增加…”,置于句首。第一个动名词短语中,withanextremeintensity为状语,表达时需调整语序到其修饰的increasingthevolume前,根据语境,volume意思为“音量”,则increasing可以翻译为“增高”。这一部分可以翻译为“最大限度来逐渐增高音量”。第二个动名词短语thenabruptlyfollowingitwithasuddensoftpassage,状语withasudden