英语专业毕业论文翻译类论文

毕业论文（设计）Title:TheApplicationoftheIconicitytotheTranslationofChinesePoetry题目:象似性在中国诗歌翻译中的应用学生姓名孔令霞学号BC09150201指导教师祁晓菲助教年级2009级英语本科（翻译方向）二班专业英语系别外国语言文学系黑龙江外国语学院2013届毕业论文i黑龙江外国语学院本科生毕业论文（设计）任务书姓名孔令霞学号BC09150201专业班级英语本科翻译二班毕业论文（设计）题目：象似性在中国诗歌翻译中的应用毕业论文（设计）的立题依据在导师的帮助下自主命题。主要内容及要求1，综合运用的知识能力。2，研究方案的设计（或论证）能力。3，研究方法和手段的运用能力。4，查阅文献资料能力。进度安排10月20日选题10月20日～10月30日接受指导老师的指导1月6日～1月20日拟定论文大纲1月21日～2月28日搜集、查阅、整理相关资料3月1日～3月20日论文开题3月21日～4月20日初稿审定4月21日～4月30日第一次修改5月1日～5月15日第一次审定5月15日～5月30日第二次修改5月30日～6月5日定稿6月5日～6月15日论文评阅小组评审论文（设计）6月10日毕业论文（设计）答辩学生签字：指导教师签字：年月日黑龙江外国语学院2013届毕业论文ii摘要索绪尔提出的语言符号任意性，近些年不断受到质疑，来自语言象似性的研究是最大的挑战。语言象似性理论是针对语言任意性理论提出来的，并在不断发展。象似性是当今认知语言学研究中的一个重要课题，是指语言符号的能指与所指之间的自然联系。本文以中国诗歌英译为例，探讨象似性在中国诗歌翻译中的应用，从以下几个部分阐述：（1）象似性的发展；（2）象似性的定义及分类；（3）中国诗歌翻译的标准；（4）象似性在中国诗歌翻译中的应用，主要从以下几个方面论述：声音象似、顺序象似、数量象似、对称象似方面。通过以上几个方面的探究，探讨了中国诗歌翻译中象似性原则的重大作用，在诗歌翻译过程中有助于得到“形神皆似”和“意美、音美、形美”的理想翻译效果。关键词：象似性；诗歌；翻译黑龙江外国语学院2013届毕业论文iiiAbstractThearbitrarinesstheoryoflanguagesignsproposedbySaussureisseverelychallengedbythestudyoflanguageiconicityinrecentyears.Thetheoryoficonicityisputforwardincontrasttothatofarbitrarinessandhasbeendevelopinggradually.Iconicity,whichisanimportantsubjectintheresearchofcognitivelinguistics,referstoanaturalresemblanceoranalogybetweentheformofasignandtheobjectorconcept.ThisthesismainlydiscussestheapplicationoftheiconicitytothetranslationofChinesepoetry.Thepaperisbetterdescribedfromthefollowingparts:(1)Thedevelopmentoftheiconicity;(2)Thedefinitionandclassificationoftheiconicity;(3)ThestandardsofthetranslationtoChinesepoetry;(4)TheapplicationoftheiconicitytothetranslationofChinesepoetry,mainlydiscussedfromthefollowingaspects:soundiconicity,ordericonicity,quantityiconicity,andsymmetricaliconicity.Throughin-depthdiscussionoftheaboveaspects,thispapercouldcometotheconclusionthattheiconicityisveryimportantinthetranslationofpoetry.Itisconductivetoreachtheidealeffectof“thesimilarityofformandspirit”and“thethreebeauties”.Keywords:theiconicity;poetry;translation黑龙江外国语学院2013届毕业论文Contents摘要………………………………………………………………………………………..iAbstract…………………………………………………………………………………..iiChapter1Introduction………………………………………………………………….1Chapter2AnOverviewoftheIconicity………………………………………………..32.1TheIconicityandtheArbitrariness……………………………………...…….…32.2DefinitionoftheIconicity…………………………………………………….….42.3ClassificationoftheIconicity……………………………………………………5Chapter3TheStandardsoftheTranslationtoChinesePoetry………………….......63.1TheSimilarityofFormandSpirit…………………………………………….….63.2TheThreeBeauties……………………………………………………………….73.3ThePrincipleoftheIconicity….............................…………………….....……...7Chapter4TheApplicationoftheIconicitytotheTranslationofChinesePoetry…...84.1TheApplicationoftheIconicitytotheTranslationofChinesePoetryonthePhonologicalLevel…………………………………………………………………..94.1.1SoundIconicityanditsTranslationonChinesePoetry…………………....94.2TheApplicationoftheIconicitytotheTranslationofChinesePoetryontheTextualLevel……………………………………………………...………..………..94.2.1OrderIconicityandItsTranslationonChinesePoetry…………...….........94.2.2QuantityIconicityandItsTranslationonChinesePoetry……...……...…124.2.3SymmetricalIconicityandItsTranslationonChinesePoetry....................15Chapter5Conclusion……………………………………………………………...…...17Bibliography………………………………………………………………………...…..18Acknowledgements……………………………………………………………………..19黑龙江外国语学院2013届毕业论文1TheApplicationoftheIconicitytotheTranslationofChinesePoetryChapter1IntroductionTheancientsleftalotofpoetryinChinawhichreflectsthebroadandprofoundChineseliterature.WiththedevelopmentofChineseliterature,moreandmorescholarshavebeenwidelystudiedaboutthetranslationofChinesepoetry.AmongthestandardsofthetranslationtoChinesepoetry,theiconicityhasarousedmoreandmoreconcern.ThetheoryoficonicitywasfirstproposedbyC.S.Peirce,founderofAmericanpracticalismandsemiotics.SincethenthisthemehasbeendiscussedandstudiedbymanyfamousresearcheslikeJakobson,Haiman,andsoon.Iconicityisoneofthehotly-discussedissuesatpresentinthelinguisticandsemioticfield.Thetheoryoficonicityisagreatchallengeto“Saussureantheoryofarbitrariness”andaforcefulcomplementaswell.Iconicityinlanguagefallsintothecategoryofcognitivelinguistics,whichisregardedasanessentialpartofcognitivelinguistics.IconicityisnotonlyachallengebutalsoacomplementtoSaussure’sarbitrarinessoflinguisticsign.Thediscussionoverarbitrarinessandiconicityisahottopicinthefieldoflanguageresearch,whichisactuallyaproblemabouttherelationshipofthesignifierandthesignified.Infact,thestudyoficonicityhasbeencarriedoutinrecentyears,Manyphilosophers,semioticiansandlinguistshavebeenconcemedwithsuchphenomenoninlanguageforalongtime.Iconicitycanbefoundnotonlyinnaturallanguage,butalsoinliterarylanguage,especiallyinpoetry,whichissaidtohavetherichestpresenceoficonicityinallliterarygenres,becausepoetryallowsthemostcomplexandinnovativeuseoflanguageonthetypographicallevel(suchasspecialuseoffontsandspacing),onthesoundlevel(suchassoundsymbolism,metreandrhyme),onthemorphologicalandsyntacticlevel(suchaschangesinregularwordorderanddistancing),andonthe黑龙江外国语学院2013届毕业论文2text