日本史

AllieBeyerErikaDongJasonKwanLukeLuanAsianTheater111•MapofJapan•BriefHistoryofJapan–Muromachi,Edo,Meiji,andmoderntimes•HistoryofNohTheater•HistoryofKabukiTheater•HistoryofDojojiIntroduction•NohandotherartformsdevelopedincapitalregionandNaraprovinceMapofJapanMuromachiPeriod•(picture)AshikagaTakauji,founderoftheMuromachiperiodin1338•1338-1573•GrandsonYoshimitsu(ruled1358-1408)firstpatronofNoh•SuccessorsYoshimochiandYoshinoripatronizedotheractors•FollowedbyAzuchiMomoyamaPeriod(1568-1600),ruledbyToyotomiHideyoshi•1600-1868•Ageofpeaceandnationalisolation•TokugawafoundsnewshogunateatEdo(Tokyo)•(pictured)OsakaCastlereconstruction•Rankingofsociety–Samurai,farmers,artisans,merchants•MerchantclassenjoysKabukiandBunrakutheaterbyearly1700s•(pictured)PaintingofKabukiactorOtaniOnijiIIIEdo(Tokugawa)Period•1868–1912•Falloffeudalsystemandpoliticalreform•EmperorRestored•Transitionofnation-state•StrengtheningofindustriesandmilitaryMeijiPeriod•1912–Today•EconomicexpansionduringTaishoPeriod(’12-’26)•WorldWarIIandeconomicrecoveryduringShowaPeriod(1926-1989)•PrinceAkihitosucceedstothronein1989,beingHeiseiPeriod•MajorEarthquakesinKantou/Tokyo(1923)andKansai/Kobe/Osaka(1995)ContemporaryJapan•LongHairedPrincess•TempleofDojoji•Kannon,godofmercyMiyako•SonofKannamiKiyotsugu,headofYuzakisarugakutroupe•FounderofNohtheater•PatronizedbyYoshimitsu•Hardshipsinlatterpartoflife•WrotemanyplaysandtheoreticalbooksZeamiMotokiyo(1363-1444)Lukewhenhewakesup•(pictured)PatronagebyToyotomiHideyoshi•“officialmusic”ofTokugawas(Keene39)•DeclineduringMeijiPeriod•RevivalafterWorldWarTwoNohaftertheAshikagasLukegettingreadyforanightonthetown•Gigakuandbugaku-maskeddancesinImperialcourt,originallyfromChina(Nakamura58)•Dengaku-”fieldmusic”fromcountryside(Keene30)•Ennen-ceremonialprayersthatbecameplays,textualmaterialforNoh•Sangaku(sarugaku)-entertainmentforcommonersandillustrationofsermons,directancestorofNoh(29)Noh’sPredecessorsLukegettinghisgrooveonTheNohPlayDojojiTheNohPlayDojojiLukesaying,“Please…nomorepictures!”•bornwiththenameKimitakeHiraoka•wrote16novels,80shortstoriesandmanyessays•1949firstmajorwork-ConfessionsofaMask•1953publishedDeathinMidsummer•1966directedandstarredinfilmPatriotism•1970committedritualsuicide,SeppukuMishimaYukio(1925-1970)KabukiOkuni’sdanceShosagoto:“FujiMusume”(WisteraMaiden)Jidaimono:kanadehonchushingura(ThetreasuryofLoyalRetainers)Sewamono:BentenKozo(BententheThief)NohbackgroundsettinginkabukiplayAragatoShosagotoKata:PerformanceStyleMieMaiKata:PerformanceTechniqueShamisenTsuzumiTaikoIntruments1TakebueInstruments2GezaensembleoffstageDebayashiEnsembleCostumesandSetsMake-upStageDesignDiagramofkabukistageKabukicurtains•“FeudalAge.”13March2001.gopher://gan1.ncc.go.jp/00/JAPAN/History/Feudal.•“GeneralIntroductionandHistory.”13March2001.~snoo/introE.html.•“HistoryoftheNohTheater.”JapanAccess.July1999.13March2001.•Keene,Donald.NoandBunraku:TwoFormsofJapaneseTheater.NewYork:ColumbiaUniversityPress,1990.•“MuromachiPeriod.”Schauwecker’sGuidetoJapan.17Sept.2000.13March2001.•Nakamura,Yasuo.trans.byDonKenny.Noh:TheClassicalTheater.PerformingArtsofJapan,Vol.4.NewYork:Walker/Weatherhill(incollaborationwithTankosha,Kyoto),1971.•“TraditionalPerformingArtsinJapan.”BasedonJapan:APocketGuide,1996Edition.TheWebKanzaki.2July1996.13March2001.–JapaneseHistoryLuke–DidNohthingAllie–KabukiHistoryErika–DojojiHistoryTHEEND