译员主体性的体现

6061626395regulations,oneofthemanyproblemsfacingtranslatorsisthetranslationofdeixis.Duetothedifferentmodeofthinking,deixisusedindifferentlanguagesdiffergreatly.Thispaper,startingfromŠarèeviæ’stheorythatlegaltranslationisacommunicativeactandundertheguidanceofthethreelegalexchangeprinciplesproposedbyDuJinbang,i.e.theprincipleoflanguagedeferringtolaw,theprincipleoftolerancefordifferenceandpursuitofconcord,andtheprincipleofimitationandcompliment,intendstosearchforthemethodsfortranslatingdeixisinlegaltextfromthefouraspectssuchaspersondeixis,placedeixis,timedeixis,anddiscoursediexis.Linguisticcharacteristicsofalawyer’sdefensedocumentsbymeansofanalyzingthemes,byLiBing,p.52Thispaper,onthebasisofthewidelyacceptedFunctionalGrammardevelopedbyHalliday,attemptstoinvestigateandanalyzethemesinalawyer’sdefensedocuments.Inouranalysis,wealsoadopttheoriesdevelopedbyotherfunctionalgrammarlinguistsratherthanfollowHalliday’stheorystrictly.Throughanalysis,wefindthatthemesinlawyer’sdefensedocumentshavetheiruniquecharacteristics,whicharecloselyrelatedtotheirfunc-tionsandpurposes.AestheticsofLiteraryLanguageandTranslation,byZHANGBaohong,p.56Themeaningofliterarylanguageisaunityofitsreferentialityandaesthetics,anditsaestheticsfindsexpres-sioninthreesuchdimensionsasself-referentiality,indirectreferentialityandpseudo-referentiality.Basedonthethreeaestheticdimensionsforaliterarylanguage,thispapermakesatentativestudyofthereproductionofaesthet-icsforaliterarylanguageinitsEnglishversioninordertoprovidesomeanalyticalperspectivesforliterarytrans-latorsaswellasliterarytranslationcriticism.Themanifestationsofinterpretersubjectivity,byLUBinhua,p.60Interpretingisanobject-orientedactivityinwhichthesubjectactsontheobjectwithaviewtoachievingthedesiredgoal.Intheprocess,suchsubjectivefactorsasindividualityandpersonalvaluesareatworkwilly-nilly.Thepaperattemptstoanalyzeinterpretersubjectivitymanifestedinfouraspectssuchasmoralself-discipline,choiceofwordsinthetargetlanguage,arrangementofinformationandparalinguisticfeatures,aimingtoenhancetheinterpreter’sawarenessofsubjectivity.FORUMFORPH.DCANDIDATESDeconstructionalcharacteristicsofthepostmodernlustdepictionandthetransformationofcon-temporaryliterature,byWUFangfei,p.64Lustdepictionisaveryimportantcomponentincontemporaryliterarynarrationandculturalreconstruction.Withreferencetomainstreamliteraturethereinliethegeneralutopia-orientedlustdepictionandthe“enchanting”discourseshiftingstrategy,thepostmodernliterarydiscourserepresentedbytheso-calledpioneeringliteratureattemptsarestatementoflustmainlyfromadeconstructionaldimension.Consequentlyithasbeenabasic“disen-chanting”strategyforpostmodernnarratologytodeconstructmeta-restatementofelementssuchasmainbody,reality,meaning,etc.,whichturnsona“postnew-era”,especiallywhenliteraturehadtofacelustandtherecur-renceofthetransformationofpatternsinthe1990s.AdiscussionabouttheStructureofGeneralHistory,ByZHANGJun,p.68TheconceptionofGeneralHistoryisnotonlythecoreofhistoricisminWesternphilosophyhistory,butalsothemainpartofmodernity.Basedonthedirectandirreversibletimeconscience,itpersiststhatthedevelopmentofhumanhistorynotonlyconformstoaims,butalsotolaws;andinitslaterterms,itbearsakindofideologythatthe