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ArchitectureandliteraturecontentsPart1:ArchitectureandforeignliteraturePart2:ArchitectureandChineseliteraturePart3:conclusionArchitectureandliteraturePart1:ArchitectureandforeignliteratureReporter:yijinchenArchitectureandliteratureNotreDamedeParisCase1Part1NotreDamedeParisWriter:VictorHugoCharacters:QuasimodoEsmeraldaClaudeFrolloJehanFrolloPhoebusdeChateaupersNotreDamedeParisLiterarysignificanceandreception:HugointroducedwiththisworktheconceptofthenovelasEpicTheatre.Itisthefirstnoveltohavebeggarsasprotagonists.NotreDamedeParislocation：ontheeasternhalfofParisBuilt：1163ArchitectureKey:CatholiccathedralGothicarchitectureNotreDamedeParisSherlockHolmessetand221bBakerStreetArchitectureandliteratureCase2Part1MorethansixfeettallLongbodyhinThecrookednosepalehatandpipe.SherlockHolmessettheSherlockHolmesmuseumThelegendarydetectiveSherlockHolmes221bBakerStreetwassetattheresidenceofSherlockHolmesanddetectiveofficeaddressIntheSherlockHolmesSherlockHolmessetSherlockHolmessetSherlockHolmesquotes:•Mymindrebelsatstagnation•Theemotionalqualitiesareantagonistictoclearreasoning•Ineverguess.Itisashockinghabit—destructivetothelogicalfacully•Inevermakeexceptions.AnexceptiondisprovestheruleArchitectureandliteratureCase3TheGoldenPavilionPart1TheGoldenPavilion•TheGoldenPavilionisafamousJapanesewriterwhohastwicebeennominatedfortheNobelPrizeinliteraturecandidateasanimportantworkofYukioMishima.•DuringtheOninwar,allofthebuildingsinthecomplexasidefromthepavilionwereburneddown.[8]OnJuly2,1950,at2:30am,thepavilionwasburneddownbya22-year-oldnovicemonk,HayashiYoken,whothenattemptedsuicideontheDaimon-jihillbehindthebuilding.AfictionalizedversionoftheseeventsisatthecenterofYukioMishima's1956bookTheTempleoftheGoldenPavilion.Designdetail•Thepresentpavilionstructuredatesfrom1955,whenitwasrebuilt.TheGoldenPavilionisathree-storybuildingonthegroundsoftheRokuon-jitemplecomplex.Thetoptwostoriesofthepavilionarecoveredwithpuregoldleaf.Thegoldemployedwastomitigateandpurifyanypollutionornegativethoughtsandfeelingstowardsdeath.Designdetail•TheGoldenPavilionissetinamagnificentJapanesestrollinggardenKyōko-chi(鏡湖池MirrorPond)fishingdeck(釣殿tsuri-dono)Designdetail•ThefirstfloorTheChamberofDharmaWaters•shinden-zukuristyle•ThesecondfloorTheTowerofSoundWaves,•warrioraristocrats,orbuke-zukuri.style,•ThethirdfloorTheCupolaoftheUltimate.•traditionalChinesechánstyleThegaruda(phoenix-likebirdinhindu/buddhistmythology)onthetopofKinkaku-jiDaguanyuanPart2:ArchitectureandChineseliteratureReporter:xiaoyiDaguanyuanArchitectureandliteratureCase4Part2DaguanyuanAdepictionofthegardenfromaseriesofbrushpaintingsbyQingDynastyartistSunWen(1818–1904)TheDaguanyuan,isalargelandscapedinteriorgardenintheclassicChinesenovelDreamoftheRedChamber,builtwithinthecompoundsoftheRongguoMansion.Itisthesettingformuchofthestory.An1889printeddepictionofthegardenDaguanyuanXiaoXiangGuanHengWuYuanZiLingZhouYiHongYuanDaguanyuanDaguanyuanJinciTempleArchitectureandliteratureCase5Part2JinciTempleJinciTemple.shanxi’smostfamoustemplecomplex.JinciTemple•Thebeautyofjincitempleinthemountains,trees,water.—LiangHeng《JinciTemple》JinciTempleJincitemplewaschosenintheactivationofsouthwestHangingurnhill,carryDangerousmountain,facingFenShui,Mountainpotential,takeadvantageofslopes,layeredSettings,intheMountainonthehighlandadequatelytoborrowscene,accordingtothetopography,landformoftheupsanddowns,amagnificentmajesticscenery.Hillsidebuildinginthefocusofvisualattention,itsoveralltrendandupwardtrendofmountaininnerphotographecho,wonabeautifulskylinecontourline·locatedintaiyuancity,ShanxiProvinceXiNaJiaohangingurnhill,25km·Createthetime,itisdifficulttodetermine·EarlyTangShuyushrine,wasbuilttocommemoratethestateofjincithefoundinggovernorsTangShuyu·JincitempleallpreviousdynastieshavebuiltandexpansionJinciTemple·Jincitemple,oneofthemostfamousbuildingforthevirgintemplewasfoundedinsongdynastysaintyears(1023-1032)·Templearchitectureisbasedonthespiritmotiveforceandcreated.Spiritreferstopeople'spsychologicalfunction,aesthetic,cognition,itincludesthreeaspects:worship.SacrificeisthemainfunctionoftheoriginaltemplearchitectureJinciTempleAlthoughtherearedifferentperformancebetweenarchitectureandliterature,butbothofthemfollowthecommonlawoftheperspectiveofaesthetics.Architecturecanbetheobjectofliterature,literatuecanalsoaddmeaningtoconstruction.conclusion:Part3ThankyouTeammembers:Yijinchen201108142076linasun201108139011Xiaoyi201108139013Duoyi201108139012Haocao201101145065kuaixie201105172052