昆汀-塔伦蒂诺电影叙事结构分析-以-落水狗-和-低俗小说-为例

()20078JOURNALOFSOUTHWESTJIAOTONGUNIVERSITYAug.200784(SocialSciences)Vo.l8No.4:20070320:(1982-),,,Emai:[e-mail]以!落水狗∀和!低俗小说∀为例(西南交通大学艺术与传播学院,四川成都610031):叙事模式;非线性结构;昆汀塔伦蒂诺;后现代;!落水狗∀;!低俗小说∀:昆汀塔伦蒂诺是当今世界影坛最受关注的导演之一,他拍摄出了带有鲜明个性风格的电影,也藉此获得了世界性的声誉昆氏电影的叙事结构在其代表作!落水狗∀与!低俗小说∀中体现得淋漓尽致,影片通过这种非线性叙事结构产生了脱胎换骨的变化,也反映了昆汀塔伦蒂诺独特的人物命运观和暴力观,并发掘了以上观念形成的内驱力一个后现代主义艺术家的本能:J905:A:1009-4474(2007)04-0075-04AnalysisoftheNarrativeStructureofQuentinTarantinosFilmsLIShuo(SchoolofArtandCommunication,SouthwestJiaotongUniversity,Chengdu610031,China)Keywords:narrativepattern;nonlinearstructure;QuentinTarantino;postmodern;ReservoirDogs;PulpFictionAbstract:QuentinTarantino,oneofthemostdistinguishedmoviedirectorsintheworld,hasgainedtheworldwideprestigeduetohismoviesuniquestyle.Ashisrepresentativemasterpieces,TarantinosReservoirDogsandPulpFictiontypicallydemonstratehisnonlinearnarrativestructure,whichproducedabsolutelydifferentmoviesandreflectedhisuniqueoutlookoncharactersdestinyandviolence.Inaddition,themovieshaveexploitedtheinternalforcedevelopedbytheabovementionedoutlook,.ie.thenatureofapostmodernartis.t,,,##,,∃%,,,,,,,∃%,,,,,西南交通大学学报(社会科学版)第8卷!∀!∀,,!∀!∀2090,!∀∃++%;!∀,,,!∀(),,,!∀!∀,,,,,,,,,!∀:,,,:,,,,,,,,,,,:1.,2.(),,,3.4.,5.,6.,,,7.,,,8.,,9.,10.,,,,3,7,5,8,1,9,2,4,6,10!∀,,,,!∀,,!∀:(1),;(2);(3)!∀,,,,:1.2.3.4.5.6.,764!∀!∀7.6,,,8.,,2,7,1,8,3,4,5,6,!∀2030,:,,,:,,,∃%,,,,,!∀!∀,,,,,,,:,,,,,∃%,,,!∀,,,∃%:()∃%,∃%∃%,:∃##%,,,,:,,,,,∃%,:∃,,?,,##%,,,,,,,,,,,,,,,,,,,,,,,,,77西南交通大学学报(社会科学版)第8卷∃%,,,∃%,,!∀,,,:,?!∀,,,,?,,:!∀,!∀,,:,,,∃%,,,∃%:∃,,,,?,!%&1∋,∃%∃%:,,,,,∃%∃%,,,∃%;,,,,,,,;,,;!∀,!∀;,!∀,,;!∀,,##,:,∃%,∃%;,∃%,;,∃%,&2∋,;,∃%,,,,:!:&1∋.&M∋.:,2004:326.&2∋.&M∋.:,2003:31-32.(责任编辑:杨珊)78