中国文学简介及其作品简介英文版

ChineseliteratureintroductionPoetryProseNovelDramaThebookofsongs诗经TheSongsofChu楚辞YueFu乐府ClassicalChinesepoetry古诗Poetry诗歌Rhythmpoetry格律诗Songlyrics词Qu曲Modernpoetry现代诗1、Chinesefirstanthology（总集）ofpoetry2、305articles——Feng(风）、Ya（雅）、Song（颂）Fengistheessence,including15regionalfolksongs.YaconsistsofDaYaandXiaoYa,beingusedtodescribethepartyandtheceremony,thecontentismainlytospeakhighlyoftheherosandsatirize(讽刺)thecurrentpolitics.Songisthelyricsongs(乐歌)fortherulertosacrificetheancestors,themountainsandrivers,andagriculturalgod.Representativeworks:GuanJu(关雎）CaiWei（采薇）Thebookofsongs诗经itisanewstyleofpoemscreatedbyQuYuanandSongYuinthe4thcenturyBC.representativework:LiSaoTheSongsofChu楚辞YueFu乐府agovernmentofficeintheHanDynastyforcollectingfolksongsandballads1、anewformofpoetryintheHandynasty.2、folksongsintheearlytime.3、themainformofpoetryinWei、JinandSouthernandNortherndynasties4、Representativeworks:Thepeacockfliestothesoutheast(孔雀东南飞),MuLanpoetry(木兰诗)ClassicalChinesepoetry古诗WuYanShi（五言诗）isthemainformofclassicalChinesepoetry,itdevelopedfromfolksongstotheliteratiwriting.thenineteenancientpoems(古诗十九首）QiYanShi（七言诗）frequentlydevelopedinthenorthernandsoutherndynasties.theRepresentativepoet:thethreeCao(三曹）rhythmpoetry格律诗thedevelopmentofPoetrytothetangdynasty,hasreachedthematureheightofitsgoldenage.Theflourishingtangdynasty（盛唐）isthepeakofpoetryprosperity,therhythmpoetryinthisperiodalsoiscompletelyfinalized,andbecomethemainformofpoetry.FairyPoet:LiBai——闻王昌龄左迁龙标遥有此寄SaintPoet:DuFu——登高Landscaperuralpoet(山水田园诗人):MengHaoran,WangWeiFrontierfortresspoet(边塞诗人):GaoShi,CenCan,WangChangling,WangZhihuanSonglyrics词SonglyricsispopularasaformofsongintheSongDynastybegantodevelopedinInthenorthernandsoutherndynasties,formedinthetangdynasty,reacheditspeakinthesongdynastySonglyricsismainlydividedinto:thepowerfulandfreeschool（豪放派）：xinQiji、SuShithesubtleandconciseschool（婉约派）：LiQingzhao、YanShu李清照，中国文学史上最伟大的女词人，受家庭影响，从小便工诗善词。词风清新委婉，感情真挚，LiQingzhaoisoneofthegreatestwomanpoetinthehistoryofchineseliterary.Influencedbyherfamily,shetookuppoemssincechildhoodanddidwellinthem.Shedevelopedafreshandmildstyletoexpresssincerefeelings.但后期，经一系列变故，诗词变为凄凉悲痛，抒发怀乡悼亡情感也寄托强烈亡国之思。Inthelaterperiod,strikenbyaseriesofmisfortunes,shewrotebitterandsorrowfulwordsinmemoryofthedeceasedhusband,expressingthenostalgiaandthesorrowofsubjugation.多年的背井离乡，最终无依无靠的寂寞死于江南。Havingleftherhometownforyears,shediedalonedesolatelyinthesouthareaofChangjiangRiver常记溪亭日暮，Alwaysrememberthepavilionbesideabrook沉醉不知归路。Drunkennotknowingthewayhomeatdusk兴尽晚回舟，Toourheartscontent,wewererowingback.误入藕花深处。Enteringdeepamongwaterliliesbymistake.争渡？争渡！Scrambling,rowtheboat!惊起一滩鸥鹭。Scaredwaterbirdsflyingupwhendisturbed.Qu曲TheriseofYuanQumakegreatcontributionstothedevelopmentofournationalpoetry,theprosperityofChineseculture.YuanQuisnotonlythetoolforthepoetstoexpressthemselves,butalsoprovidespeopleanewpopularartformthatreflecttheyuandynastysociallife.Representative:GuanHanqing、MaZhiyuanModernpoetry现代诗Modernpoetry——vernacularpoems（白话诗）liberalformatandrhythm.Representative：GuoMoruo——《StarySky》XuZhimo——《FarewelltotheCambridge》ChineseAncientryProse:Thedifferencebetweenrhyme,alliteration,notparallelprose(骈文)notheavyparallelismandantithesis(排偶)mediumofthearticle,includingthescriptures,legend，thehistorybooksModernProse：aliterature,poetry,dramaandfiction,arecalledbyajointname,includingessays,travelnotes,etc.Itmainlyincludesnarrativeprose(叙事性散文),lyricalprose（抒情散文）andthephilosophicalessays（哲理散文）.Pre-qinproseIncludingessaysofthehundredschoolsofthoughtandhistoricalprose.Theiressaysmainlytoexpositionandargumentation,suchas“theanalects”(论语)“mencius”“chuangtzu“.Historyisasubjectofhistoryasprose,everyrecordhistoricalevents,thehistoricalcharactersofarticlesandbooksarehistoricalprose,suchaszuozhuan.(左传).HanproseHanatfirstcollectionofpoliticalessayssomedevelopment.Thewesternhandynastysimaqianofshijiprosepushedthebiographyofunprecedentedheights.Thehandynasty,therewasanewstyleoffu.Later,fuwasdesignatedaformalpoetryandprosewiththedoubleproperties.ProseoftangandsongdynastyThetangdynastystronglyagainstflashyPianLi(骈俪)hanculture,advocatefortheoldprose,raisedthemovementofancientprose.Intangdynasty,themovementofancientproseoncedecline.Inthesongdynasty,ouyangxiuagainraisedthemovementofancientprose.Intheancientprosemovementdriven,prosewrittenasincreasinglyheavyandcomplicated,appeartheliteraryprose,producedmanyexcellentlandscapeessays,fables,biography,essays,workssuchasthefamous“Eighteverybodytang”(唐宋八大家)Eighteverybodytang:韩愈、柳宗元、欧阳修、王安石、曾巩、苏轼、苏洵、苏辙ModernproseWithtofeudalismandtheclassicalliteraturecriticism,thefirstmodernnewliteratureworkswasborn,discussionproseisoneofthem,itisthesourceofthemodernprose.Afteraboutprose,sexualprosenarrative,onefamiliarmarket,modernproseintothevigorousdevelopmentstageFamouswriter:鲁迅（周树人）、周作人、林语堂（弘一法师）、朱自清、冰心（谢婉莹）、郁达夫、郭沫若、叶圣陶、许地山、徐志摩、何其芳TheChineseancientnovelsbudinthepre-qin(先秦),anditisknownasthenotenovels,includingbloggersnovels(志人小说）andmysterynovels（志怪小说）.TheTangDynastyisthematureperiodofnovelsknownasthe