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Americanshaveastrongself-centeredpointofview,believinginindividualism.Theyalwaysputthemselvesinaunmatchedstatus,whileignoreothers’interferenceandinfluence.Americansbelieveinpersonalstruggleadventureandrushedindomitablefightingspirit.ThelogicofpersonalstruggleandindependenceisanimportantpartofAmericanfilmculture,Theyarguedthatindividualsshouldliveinthewaytheylikemost,anddon’twanttobeaffectedbytheoutsideinterferenceandrestrictions.Therefore,self-centeredthinkingandheroismconsistentlythroughoutthefirmstory.greenlantemspidermanhulkgreenhornettheendGreenLanternisa2011superherofilmbasedontheDCComicscharacterofthesamename.ThefilmstarsRyanReynolds,BlakeLively,PeterSarsgaard,MarkStrong,AngelaBassettandTimRobbins,withMartinCampbelldirectingascriptbyGregBerlantiandcomicbookwritersMichaelGreenandMarcGuggenheim,whichwassubsequentlyrewrittenbyMichaelGoldenbergGreenLanterntellsthestoryofHalJordan,atestpilotwhoisselectedtobecomethefirsthumanmemberoftheGreenLanternCorpsandgivenaringthatgrantshimsuperpowersafteranewenemycalledParallaxthreatenstodestroythebalanceofpowerintheuniverse.CastofGreenLanternatthe2010SanDiegoComic-ConInternational.Spider-ManTheatricalreleaseposterDirectedbySamRaimiProducedbyLauraZiskinIanBryceGrantCurtisAviAradStanLeeScreenplaybyDavidKoeppHulk(alsoknownasTheHulk)isa2003AmericansuperherofilmbasedonthefictionalMarvelComicscharacterofthesamename.AngLeedirectedthefilm,whichstarsEricBanaasDr.BruceBanner,aswellasJenniferConnelly,SamElliott,JoshLucas,andNickNolte.ThefilmexplorestheoriginsoftheHulk,whichispartiallyattributedtoBanner'sfather'sexperimentsonhimself,andonhisson.TheGreenHornetisa2011Americansuperheroaction-comedyfilmbasedonthecharacterofthesamenamethathadoriginatedina1930sradioprogramandhasappearedinmovieserials,atelevisionseries,comicbooks,andothermedia.DirectedbyMichelGondry,thefilmstarsSethRogen,JayChou,ChristophWaltzandCameronDiaz.ThefilmwasreleasedinNorthAmericaonJanuary14,2011,inversionsincludingRealDCinemaandIMAX3D.ABlackBeautyusedinthefilm•AsoneoftherepresentativesandthebenchmarksofAmericanculture,HollywoodfilmeshavealwaysbeenkeeppacewithKFC,McDonald'sandPepsi,whichbehalfthedietclutureofAmerica,selltotheworldofAmericanculture,Thecultureshockthatinevitably,thereisastrongculturalinvasionissuspectedbytheUnitedStateslargeimagetoshowtheherointheUnitedStatesstrongandinvincible,fast-foodculturebyshowingsharpandefficientstyleofAmericans,bothofthosekindsofclutureseemstotelltheworldthattheUnitedStatesnationalpowerhavestrongperformanceinallaspects,eventheirmoviesandfastfoodalsohasgreatpowerstatuswithconsiderabledeterrentandcommanderofforces.HavetosaythatHollywoodfilmswhichcontaintheheroicfeelingareunderingsomepeoplewhowithulteriormotivestouseof,throughHollywoodmovies,CheongHangglobalwind,dressedinabeautifulcoatnamedculturalexchange,tolargerrealityoftheirculturalaggression,wantonlypromotingAmerican-styledemocracyandfreedom.Throwasidetheirhiddenmotivesandinterestsawayforthemoment.Towardsthefactthatsomepeoplewhotryingtoslavetheartoffilmintoapoliticaltool,inordertocontinueenjoyingclean,pureartoffilm,wemayholdtheattitudewhichissaidthattaketheessencetothedregs,enjoyingthemoviesassimpleaswacthingpaintings,engravings,thenweaudiencesnaturelycaneliminatethefalseandretainthetruethingsinthemovies,thosewhopretentsecurityonthemoviettselfwouldbeill-foundednatureofpoliticalintent,andnoplacetohide,•Movieasacomprehensiveartform,togetherwiththeheroaretheproductsoftimes.Moviesgiveusanintuitiveandvisualimpactshock,richenoughsensorytoenjoy,inthepicturesandsoundsletourspirittogetthesublimationandpleasure,whiletheheroesarealsoaniconofourdesire,whichgiveusstrengthanbeauty,loveandhopetomakeourlifefullofdreamsandpassionSincefilmshaveputtheheroimagesthatalwaysbeenexisteduptothescreen,thenwejustenjoyadifferentkindofherothroughit,whetherarealorfictionalhero,aslongasordinarypeoplewhoallowustofindthespiritualsustenance,feelthepowerofexample,andthemostimportantisthatweareencouragedtobeahero,evenifitisnotknown,butthisbeliefsetusliveinhappinessandhopetoenjoylife'spleasureandsatisfaction,whichistotallyenough.