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TraditionalChinesePainting130111030赵欲舒130111018王旭娟Contents1.Introduction2.threemainthemes（山水，人物，花鸟）3.twotechniques（工笔和水墨）4.sixprinciples（国画六法)5.China’sTopTenFamousPaintings（中国十大传世名画）6.contradistinctiveappreciationofmasterpieceofeasternandwesternculture（东西方对比欣赏)Introduction国画themostpopularmaterials：paperandsilkscrolls卷轴(hangingscrolls)Lacquerware(漆器)Foldingscreens（屏风）ThreeMainThemesOfChinesePainting1.Landscapepainting(山水画)2.Fiugrepainting(人物画)3.Flowerandbirdpainting(花鸟画)Landscapepaintinga)thehighestformofChinesepainting,b)thisstyleisalsoreferredtoas“xieyi”(写意)orfreehandstyle.c)twofactions(宗派)northernfactionandsouthernfactionofChineselandscapepainting（北宗和南宗）一、山水画和禅宗一样，在唐时就分了南北二宗；二、‘南宗’用‘渲淡’法，以王维为首，‘北宗’用着色法，以李思训为首；三、‘南宗’和‘北宗’各有一系列的徒子徒孙，都是一脉相传的；SouthernFactionRepresentativefigure:WangWei(王维)Drawingstyle：苏轼评价其：“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”2.pureandtranquil，freshandrefined(宁静淡远，清新脱俗)1.poetry-paintingcomplementarity（互补）《送沈子福之江东》杨柳渡头行客稀，罟师荡桨向临圻。惟有相思似春色，江南江北送君归。罟（gu）师：渔夫，船夫临圻（qi，或yin），圻：岸边临圻临圻NorthernFactionRepresentativefigure:LiSi-xun(李思训)Drawingstyle：Strokesarefirm,solidandstrong(笔力遒劲)Colorisheavyandcomplicated（色彩繁复）worksByLi’sson,LiZhao-dao(李昭道)China’sTopTenFamousPaintings中国十大传世名画FromtheEasternJinDynasty(东晋)ToQingDynasty（清）1.洛神赋图2.步撵图3.唐宫仕女图4.五牛图5.韩熙载夜宴图6.千里江山图7.清明上河图8.富春山居图9.汉宫春晓图10.百骏图LoRiverMap《洛神赋图》TheEasternJinDynasty东晋KuKai-chih顾恺之《步辇图》TangDynasty唐代YanLi-ben阎立本GroupportraitofNoblewomeninTangPalace（《唐宫仕女图》）TangDynasty（唐代）ZhangXuanandZhouFang（张萱、周昉）Penta-Bullmap《五牛图》TangDynasty唐代HanHuang韩滉PaintingofHanXi-zai’sEveningBanquet《韩熙载夜宴图》Thefivedynasties五代GuHongzhong顾闳中顾闳中AThousandLiofRiversandMountains（《千里江山图》）SongDynasty（宋代）WangXi-meng（王希孟）AlongtheRiverDuringtheQingmingFestival（《清明上河图》）SongDynasty（宋代）ZhangZe-duan（张择端）DwellingintheFuchunMountains（《富春山居图》）YuanDynasty元代HuangGong-wang黄公望《汉宫春晓图》MingDynasty明代QiuYing仇英AllthePrettyHorses（《百骏图》）QingDynasty（清代）GiuseppeCastiglione（郎世宁）意大利裔清廷画家Gong-bi&InkandWashPainting工笔和水墨画Gong-bi(工笔)Features：“meticulous”（非常注意细节的）,detailedbrushstrokes（绘画技巧）,delimitsdetails,highlycoloredSubjects:figuralornarrativesubjectsSpecificbrushes1.Forcontouring(轮廓，勾线)勾线笔有衣纹、叶筋、红毛、蟹爪等。大多为硬豪。HongMao红毛(redhairs):drawthickstroke，mostlyusedinpantinganimalsYiWen（衣纹）forlongerlines，forexample，clothingXieZhua（蟹爪）Thefinesttopaintdragonflies（蜻蜓）andspeciifcdetailYeJin（叶筋）Tocounterflowersandbedsheets2.Forcolouring常用的染色笔有：大白云、中白云、小白云和其他软毫毛笔。BeforeAfterLoRiverMap《洛神赋图》TheEasternJinDynasty东晋KuKai-chih顾恺之顾恺之Inkandwashpainting(水墨)1.alsolooselytermedwatercolourorbrushpainting,andalsoknownasliteratipainting,2.Thisstyleisalsoreferredtoasxieyi(寫意)orfreehandstyle.3.oneofthe“FourArts”oftheChineseScholar-officialclass.(琴棋书画)4.History:byhighlyeducatedgentlemenoriginatedfromLiuSongDynasty（5thCentury）developedinTangDynasty（618-907）furtherdevelopedinSongDynasty（960-1279）Sixprincipals1.SpiritResonance2.BoneMethod3.CorrespondencetotheObject4.SuitabilitytoType5.DivisionandPlanning6.TransmissionbyCopying国画六法气韵生动骨法用笔应物像形随类赋彩经营位置传模描写contradistinctiveappreciationofmasterpieceofeasternandwesternculture（东西方对比欣赏)《岁寒三友》Keywords：useamethodofsymbolizingexpressthechangeofseasons;throughuseofcandlesorthemoonshoweveningofnighttimebamboo,pinetrees,andplumtreestogetherknownas“threefriendsinwinter”ThesymboloffriendshipTheArnolfiniMarriage(阿尔诺菲尼夫妇)TheArnolfiniportraitisanoilpaintingbytheearlyNetherlandishpainterJanvanEyck.Keywords：moreattentivetotheeffectofcolor,light/shadow,torepresenttherealscene,likethephotographs,toshowthingsastheyreallyare.thefirstgenre(以日常情景为主题的)paintingthree-dimensionalforms（立体形态）