西雅图奥林匹克雕塑公园

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MAP&GuidePleAsereuse&recyclethismap!ParkHoursOpens30minutesbeforesunriseCloses30minutesaftersunsetPACCARPavilionHoursMay1–LaborDayTue.–Sun.10am–5pmDayafterLaborDay–April30Tue.–Sun.10am–4pmClosedMondays,Thanksgiving,ChristmasEve,Christmas,NewYearsEve,andNewYearsDay.SmokingisprohibitedinthePavilion,theVivariumandwithintwenty-fivefeetofthebuilding.TASTECaféHoursMay1–LaborDayTue.–Sun.10am–4pmDayafterLaborDay–April30Tue.–Sun.10am–3pmClosedMondays,Thanksgiving,ChristmasEve,Christmas,NewYearsEve,andNewYearsDay.Toensureasafeandenjoyablevisitforeveryone,pleaseobservethefollowingrules:•Touchingharmstheart.Pleasedonottouchorclimbonthesculptures.•Enjoythediversityofplantlifeandleaveitforotherstoenjoy.•Keepdogsonasix-footleashandcleanupafterthem.Otherpetsareprohibited.•Walkbicycles,rollerbladesandskateboardsthroughthepark.TheymayberiddenontheAlaskanWayBoulevardtrail.•Toprotecttheartwork,activesportsarenotallowed.•Alcoholicbeveragesareprohibited.•Commercialphotography/videographyisprohibited.•Allapplicablefederal,stateandlocallawsapply.AccessibilityThepark’sZ-pathandwaterfrontpathwaysarewheel-chairaccessible.Forafulllistingofhearing-impaired,visuallyimpairedanddisabledservices,pleasevisitseattleartmuseum.orgorcontactTDD206.344.5267.BicycleRacksattheParkBicycleracksarelocatedinthegarageonthewestside,acrossfromthesecuritybooth,intheAlaskanWayPlaza,andonWesternAvenueonthecornerofBroadStreet.ANEWGREENSPACEFORARTAfterpurchasingthelandin1999,SAMaimedtorestorethisformerindustrialsite,whileprovidingauniquesettingforoutdoorsculptureandpublicuse.Thepark’sinnovativedesignachievesawiderangeofenvironmentalrestorationgoals,includingbrownfieldredevelopment,creationofasalmonhabitat,extensiveuseofnativeplantings,andthecaptureanduseofon-siterainwater.TheOlympicSculptureParkcelebratesasiteremarkableforitsdualconnectionstothecityandtothesurroundingregion.TheseconnectionsarealsoreflectedinaseriesofgardensthatcreateseveraldistinctivelandscapesarchetypalofthosefoundinthePacificNorthwest.Thepark’sartprogramfeaturesmajorworksbysomeofthemostinfluentialsculptorsofourage,tracingaselectivehistoryofthepasthalfcentury.Anintergenerationalandinternationalapproachtotheselectionofarthasalsobroughtthediscourseonpublicsculptureuptothepresentdaywithnumerousexamplesbysomeoftoday’smostinsightfulartists.Alltheworksintheparkseemtotakeonnewmeaningandenergyinthisdynamicoutdoorsetting,resonatingwiththeirsimultaneouslyurban,industrialandnaturalsurroundings.Thesculptureintheparkwillevolveovertime,asnewworksareaddedandothersarerotatedout,addingtothevibrancyandrelevanceofthesite.FatherandSon,2004-2006,LouisBourgeois.Photo:BenBenschneider.westernavenuevalleypaccarpavilionbroadstreetthetrustforpubliclandterraceallenfamilyfoundationplazagatesamphitheatergarageentrytastecafÉsamshop/infokreielsheimernorthmeadowwestmeadowelliottavenueackerleyfamilyeastmeadowbaystreetketchamfamiliesgroveneukomvivariumelliottbaytrailpugetsoundalaskanwaypier70beachmyrtleedwardsparktheboeingcompanybicyclepathshore13457698101615131211141917181720olympicsculptureparkelevatortogaragelegendparkentrancez-pathaccessibleboeingbicyclepathrestroomsalvordartlabmoseleypathskinnertrail2additionalrestroomslocatedingarageolympicoutlookbenaroyapathfosterfoundationpath1.CurveXXIV,1981,EllsworthKelly,American,b.1923,weatheringsteel,76x228x3/8in.,PromisedgiftoftheVirginiaandBagleyWrightCollection,inhonorofthe75thAnniversaryoftheSeattleArtMuseum,T2004.105,©EllsworthKelly,Photo:PaulMacapia;2.IntheMind(detail),2008,GeoffMcFetridge,Canadian,b.1971,Multi-mediainstallation,T2008.68.1,©GeoffMcFetridge;3.Riviera,1971–1974,AnthonyCaro,British,b.1924,steel,rustedandvarnished,10ft.7in.x27ft.x10ft.,PromisedgiftoftheVirginiaandBagleyWrightCollection,inhonorofthe75thAnniversaryoftheSeattleArtMuseum,T2004.103,©AnthonyCaro,Photo:PaulMacapia;4.Wake,2004,RichardSerra,American,b.1939,tenplates,fivesetsoflockedtoroidforms,weatherproofsteel,eachset,overall:14ft.11/4in.x48ft.4in.x6ft.43/8in.,PurchasedinpartwithfundsfromSusanandJeffreyBrotman,VirginiaandBagleyWright,AnnWyckoffandtheModernArtAcquisitionFund,inhonorofthe75thAnniversaryoftheSeattleArtMuseum,2004.94,©RichardSerra,Photo:PaulMacapia;5.PersephoneUnbound,1999,BeverlyPepper,American,b.1924,castbronze,122x311/2x21in.,JonandMaryShirley,T2006.15,©BeverlyPepper,Photo:PaulMacapia;6.Perre’sVentaglioIII,1967,BeverlyPepper,American,b.1924,stainlesssteelandenamel,94x80x96in.,GiftofJonandMaryShirley,inhonorofthe75thAnniversaryoftheSeattleArtMuseum,2005.200,©BeverlyPepper,Photo:PaulMacapia;7.SkyLandscapeI,1976–1983,LouiseNevelson,American,1899–1988,weldedaluminumpaintedblack,10ft.x10ft.x6ft.2in.,JonandMaryShirley,T2006.16,©LouiseNevelson/ArtistsRightsSociety(ARS),NewYork,Photo:PaulMacapia;8.Split,2003,RoxyPaine,American,b.1966,polishedstainlesssteel,overallh.:50ft.,PromisedgiftoftheVirginiaandBagleyWrightCollection,inhonorofthe75thAnniversaryoftheSeattleArtMuseum,T2004.106,©RoxyPaine,Photo:PaulMacapia;9.NeukomVivarium,designapproved2004,fabricationcompleted2006,MarkDion,American,b.1961,mi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