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2010年全国硕士研究生入学统一考试英语试题SectionIUseofEnglishDirections:Readthefollowingtext.Choosethebestword(s)foreachnumberedblankandmark[A],[B],[C]or[D]onANSWERSHEET1.(10points)In1924America'sNationalResearchCouncilsenttwoengineerstosuperviseaseriesofindustrialexperimentsatalargetelephone-partsfactorycalledtheHawthornePlantnearChicago.Ithopedtheywouldlearnhowstop-floorlighting1workers'productivity.Instead,thestudiesended2givingtheirnametotheHawthorneeffect,theextremelyinfluentialideathatthevery3tobeingexperimenteduponchangedsubjects'behavior.Theideaarosebecauseofthe4behaviorofthewomenintheHawthorneplant.Accordingto5oftheexperiments,theirhourlyoutputrosewhenlightingwasincreased,butalsowhenitwasdimmed.Itdidnot6whatwasdoneintheexperiment;7somethingwaschanged,productivityrose.A(n)8thattheywerebeingexperimenteduponseemedtobe9toalterworkers'behavior10itself.Afterseveraldecades,thesamedatawere11toeconometrictheanalysis.Hawthorneexperimentshasanothersurprisestore12thedescriptionsonrecord,nosystematic13wasfoundthatlevelsofproductivitywererelatedtochangesinlighting.Itturnsoutthatpeculiarwayofconductingtheexperimentsmaybehaveletto14interpretationofwhathappened.15,lightingwasalwayschangedonaSunday.WhenworkstartedagainonMonday,output16rosecomparedwiththepreviousSaturdayand17toriseforthenextcoupleofdays.18,acomparisonwithdataforweekswhentherewasnoexperimentationshowedthatoutputalwayswentuponMonday,workers19tobediligentforthefirstfewdaysoftheweekinanycase,before20aplateauandthenslackeningoff.ThissuggeststhattheallegedHawthorneeffectishardtopindown.1.[A]affected[B]achieved[C]extracted[D]restored2.[A]at[B]up[C]with[D]off3.[A]truth[B]sight[C]act[D]proof4.[A]controversial[B]perplexing[C]mischievous[D]ambiguous5.[A]requirements[B]explanations[C]accounts[D]assessments6.[A]conclude[B]matter[C]indicate[D]work7.[A]asfaras[B]forfearthat[C]incasethat[D]solongas8.[A]awareness[B]expectation[C]sentiment[D]illusion9.[A]suitable[B]excessive[C]enough[D]abundant10.[A]about[B]for[C]on[D]by11.[A]compared[B]shown[C]subjected[D]conveyed12.[A]contraryto[B]consistentwith[C]parallelwith[D]peculiarto13.[A]evidence[B]guidance[C]implication[D]source14.[A]disputable[B]enlightening[C]reliable[D]misleading15.[A]Incontrast[B]Forexample[C]Inconsequence[D]Asusual16.[A]duly[B]accidentally[C]unpredictably[D]suddenly18.[A]Therefore[B]Furthermore[C]However[D]Meanwhile19.[A]attempted[B]tended[C]chose[D]intended20.[A]breaking[B]climbing[C]surpassing[D]hittingSectionIIReadingComprehensionPartADirections:Readthefollowingfourtexts.Answerthequestionsbeloweachtextbychoosing[A],[B],[C]or[D].MarkyouranswersonANSWERSHEET1.(40points)Text1OfallthechangesthathavetakenplaceinEnglish-languagenewspapersduringthepastquarter-century,perhapsthemostfar-reachinghasbeentheinexorabledeclineinthescopeandseriousnessoftheirartscoverage.Itisdifficulttothepointofimpossibilityfortheaveragereaderundertheageoffortytoimagineatimewhenhigh-qualityartscriticismcouldbefoundinmostbig-citynewspapers.Yetaconsiderablenumberofthemostsignificantcollectionsofcriticismpublishedinthe20thcenturyconsistedinlargepartofnewspaperreviews.Toreadsuchbookstodayistomarvelatthefactthattheirlearnedcontentswereoncedeemedsuitableforpublicationingeneral-circulationdailies.WeareevenfartherremovedfromtheunfocusednewspaperreviewspublishedinEnglandbetweentheturnofthe20thcenturyandtheeveofWorldWarII,atatimewhennewsprintwasdirt-cheapandstylishartscriticismwasconsideredanornamenttothepublicationsinwhichitappeared.Inthosefar-offdays,itwastakenforgrantedthatthecriticsofmajorpaperswouldwriteindetailandatlengthabouttheeventstheycovered.Theirswasaseriousbusiness,andeventhosereviewerswhoworetheirlearninglightly,likeGeorgeBernardShawandErnestNewman,couldbetrustedtoknowwhattheywereabout.Thesemenbelievedinjournalismasacalling,andwereproudtobepublishedinthedailypress.“Sofewauthorshavebrainsenoughorliterarygiftenoughtokeeptheirownendupinjournalism,”Newmanwrote,“thatIamtemptedtodefine‘journalism’as‘atermofcontemptappliedbywriterswhoarenotreadtowriterswhoare.’”Unfortunately,thesecriticsarevirtuallyforgotten.NevilleCardus,whowrotefortheManchesterGuardianfrom1917untilshortlybeforehisdeathin1975,isnowknownsolelyasawriterofessaysonthegameofcricket.Duringhislifetime,though,hewasalsooneofEngland’sforemostclassical-musiccritics,astylistsowidelyadmiredthathisAutobiography(1947)becameabest-seller.Hewasknightedin1967,thefirstmusiccritictobesohonored.Yetonlyoneofhisbooksisnowinprint,andhisvastbodyofwritingsonmusicisunknownsavetospecialists.IsthereanychancethatCardus’scriticismwillenjoyarevival?Theprospectseemsremote.Journalistictasteshadchangedlongbeforehisdeath,andpostmodernreadershavelittleusefortherichlyupholsteredVicwardianproseinwhichhespecialized.Moreover,theamateurtraditioninmusiccriticismhasbeeninheadlongretreat.21.ItisindicatedinParagraphs1and2that[A]artscriticismhasdisappearedfrombig-citynewspapers.[B]English-languagenewspapersusedtocarrymoreartsreviews.[C]high-qualitynewspapersretainalargebodyofreaders.[D]youngreadersdoubtthesuitabilityofcriticismondai