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Whoishe?10thousandyearsistoolong周星驰StephenChowHeisthekingofcomediesandhisfilmfillwithsubversionandrestorefortradition.Heisamerchantwhoinvesthouseproperty,thenetworkgamesandcinemaacquisitionandnowhiswealthmorethanHK$1.5billion.•WhatStephenChow’smovieshaveyoueverseenandwhichisyourfavorite?•WhatisyourfeelingwhenyoufisttimesawStephenChow’smovies?•WhatdoyouthinkofStephenChowthispersonandhisfilms?threepartstounderstandStephenChow1.Aplayabitrolemantothekingofcomedies2.Thefounderofwulitouandhisfilms3.ExperiencesofemotionfullofcomplicationsStephenChowwasbornonjune22,1962inhongkong.Astheonlyboyofhisfamily,hegrewupShanghaialongwithhistreesister.Inhischildhood,hewasfascinatedbyBruceLee,muchlikeotherchildrenhisageandoftenimitatesBruceLee.周星驰生于香港长于上海，是家里唯一的男孩。小时候，他与同时代的孩子们一样，对李小龙非常着迷。并经常模仿他。Part1In1982,hegraduatedfromhighschoolandauditionedforanactingschoolrunbyTVB,aHongKongtelevisionstationwherehewasrejected.Hisfriend'Waise'LeeChi-Hung(TheLegendoftheSwordsman,JohnWoo's'ABetterTomorrow')helpedhimoutandhewasallowedtotakenightclasses.Hegraduatedin1983andwashiredtohostachildren'stelevisionprogramcalled'SpaceShuttle430'eventhoughhewasn'tfondofchildren.1982年高中毕业之后，周星驰和梁朝伟一起报名参加香港TVB表演学校，但是自己却没有被录取。不过，他还是通过一个熟人参加了夜校。第二年，他被选中，成为一档儿童节目“430穿梭机”的主持人。Part1Thisdidn‘tstophimfromcarryingonhisdutyashedevelopedanoff-beatrapportwithco-starsoftheshowthataudiencesloved,whichledtheprogramtorunforfiveyears.Duringtheshow’sfinalrunin1988,hebrokeintodramaticrolesinnumeroustelevisionprograms。他对儿童节目并不感兴趣，这使他非常痛苦。但是他的表现非常出色，并一直主持了5年。几年之后，他参加了许多节目，并逐渐有了名气。Part1•Inhiscareer,thefirstfewyears.hedidnotgowell,justplayedsomesupportingroles.跑龙套Part1•In1988hewentontostarinhisfirstfeaturefilmwhereactor'Danny'LeeSau-Yin(CityonFire,JohnWoo's'TheKiller')casthimin'FinalJustice'whichearnedhimanAwardforBestSupportingActoratthe25thAnnualTaiwaneseFilmAwards.•1988年，周星驰出演了他的第一部电影《霹雳先锋》。这部影片使他拿到了金马奖最佳配角奖，也获得了第25届台湾金像奖最佳配角和最佳新人双料提名，不仅得到影坛关注，也引来了电视台对他的重新审视，给他更多机会在电视剧里扮演重要角色。Part11990年，他在周润发风格的电影《赌圣》中扮演主角，并开始转入喜剧领域。In1990,heintroducedhisincrediblecomedytalentinthefilm,‘AllfortheWinner’（赌圣）whichwasahilariousspin-offofthefilm,‘GodofGamblers’（赌侠）starringChowYun-Fat.ThefilmbecamesuchasuccessthathealsostarredalongsideChowYun-Fatinthesuccessfulsequel,‘GodofGamblers2’.HeexcelledinthecomedygenreanddevelopedatrademarkthatreinventedhiscareerinyearstocomeashebegandoingparodiesofHollywood,JapaneseHongKongcinemafilms,suchas‘FistofFury1991’（新精武门）,‘FromBeijingwithLove’（国产凌凌漆）,andhisdirectorialdebut,‘All’sWellEndsWell‘（家有喜事）.Theparodyfilm,’JusticeMyFoot‘（审死官）earnedhimBestActorofAsiaatthePacificFilmFestival.Part1ChowbecamethenumberoneHongKongfilmactorofthe1990s,earningmorethanJackieChanbyasmuchastwotimes.Hemade29filmsfrom1990to1993.Chow’sstyleatthetimeof“Allforthewinner”wascalled“MakesNoSense(wulitou)”.Thisstyleestablishedhispopularityinthe90sasacomicactor.Part1在20世纪90年代，周星驰正式成为香港头牌电影演员，收入也达到了成龙的两倍。从1990年到1993年，他总共出演了29部电影。周星驰在《赌圣》中的风格被称为“无厘头”。正是这种风格使他成为90年代最受欢迎的喜剧演员。•Hisnervouslogicandactingcreateawulitouculture,whichbecomeanimportantpartofHongKongcultureandhismoviesrepeatedboxofficerecordthatbroughtHongKongcomediestoanotherwayoutandpeak,butheisnotcontentedandstillongoing.•In1995,thefilmAChineseOdyssey（大话西游）wasonshow.Althoughtheboxofficewasdismalthatyear,withthespreadofpiracyandthepopularityofInternetinthenextfewyears,thisflimbecamerealyclassicalmovieintheheartoftheaudience.•In1996,thefilmTheGodofCookery(食神）wasonshowanditwasvotedasmodelfilmattheVeniceinternationalfilmfestival.Part1•FilmKungFuHustlewaslaunchedin2004asalandmarkwork.Inthisfilm,StephenChownomoreconcentrateonindividualperformance,insteadhewascommittedtoteamcollaborationandthewholefilmcreationandthisfilmwonnumerousawardsintheend.•ThroughJourneytotheWest:ConqueringtheDemons(西游·降魔篇）in2013,StephenChowslipintothebackground.However,thefilmsJourneytotheWest:ConqueringtheDemonsandTheMermaid(美人鱼）successivelybrokenmanyChinesemovieboxofficerecordandrenewChinesemovieboxofficerecordworldwide.Part1•Unconventionaltalkandthinkisthedistinctcharacteristicof“wulitou”funnywhichisoneofmaindifferencesfromtraditionalcomedies.SomanypeoplethinkStephenChowisthedisruptoroftraditionalordercultureandseehis“wulitou”comedyastheexampleofpostmodernfeaturesofdestroytheorder,pessimismandsegregationorthodoxy.However,thoughthedetailanalysisofhis“wulitou”comedy,theserevoltisnotexisting.Hisfunnycircumventionstrategyshowshis“wulitou”funnyisjustthelegalventindominantsystemandwhatbehind“wulitou”funnyistherebuildofideology.Part2•StephenChowhadsaid“iftherewasnoBrucelee,thereisnoStephenChow”.BruceleehaveasignificantimpactonStephenChow.Theapparelmodeling,bodylanguageandactionsceneinStephenChow’sfilmsisalwaysconnectedwithBrucelee,likewearingwhitebindingwithblacktrousersinfilm“KungFuHustle”,playingnunchakusin“KingofBeggars”andsoon.Part2•Theevolutionofthepostmodernisminhisloveinfilmscanbedividedintothreelevel.•Level1:Inthefilmsofthisperiod,regardlessofrank,loveisgreaterthanall.Heevercannotfindthereasontosupportthelove.“FlirtingScholar”isthemagnumopus.•Level2:Inthefilmsofth