1TheRenaissanceCulture2EarlyModernEnglishTherenaissancewastherevivaloftheancientcultureofGreekandLatin.ScholartranslatedliteraturefromLatinandGreekintoEnglish,soover10000LatinandGreekwords(A.C.BaughandT.Cable,1946:221)enteredtheEnglishlanguage,whichcontributedtothevocabularyofModernEnglish.3IIHistoricalBackgroundTimeline1474WilliamCaxtonprintedthefirstbookinEnglish1485FoundingofTudorDynasty1532-34HenryVIIIdivorced,declaredhimselfassupremeheadoftheChurchofEngland4IIHistoricalBackground1558DeathofMary,accessionofElizabethI1576ThefirstplayhousebuiltinLondon1588DefeatoftheSpanishArmada,apexofEngland1603DeathofElizabethI,accessionofJamesI5Historicalbackground:Thebreakingupoffeudalrelationsandtheestablishingofthefoundationsofcapitalism;Theenclosure;thewaroftheRoses;thestrengtheningoftheabsolutemonarchy;theriseofthebourgeoisie;thedefeatoftheSpanishArmada.Newsocialandeconomicconditionsbroughtaboutgreatchangesinthedevelopmentofscienceandart.Sowiththestrengtheningofnewbourgeoisnationalstate,thisperiodismarkedbyaflourishingofnationalcultureknownastheRenaissance.6Ⅰ.TheRenaissance:ARebirthofLeaningRenaissance,Frenchforrebirth“or“revival”,perfectlydescribestheintellectualandeconomicchangesthatoccurredinEuropebetween14-17centuriesAtonetimemanyhistoriansheldthattheRenaissancesignifiedasharpbreakwiththeprecedingmedievalperiod.MorerecentlysomescholarshaveargueditwasanevolutionarychangefromtheMiddleAges7Whatdoes“Renaissance”mean?Generallyitreferstotheperiodbetweenthe14thandmid17thcentury.ThetermRenaissance,isadoptedfromtheFrenchequivalentoftheItalianword“Rinascimento”.Literally:“rebirth”.8Ⅱ.DistinctiveFeaturesbeganwiththerediscoveryoftheGreco-RomancivilizationEmphasizedreason,aquestioningattitude,experimentation,andfreeinquiry(rationalism)Glorifiedtheindividualandapprovedworldlypleasures,andfocusedattentionuponsecularmatters(humanism)9Featuredgreatachievementsinliterature,art,andscience,andtheartstressedsymmetryandgraceStartedinItaly,especiallyFlorence,andinthe15thcenturyspreadtoFrance,theGermanstates,Holland,Spain,andEngland10Humanism:TheRenaissancewasmarkedbythespreadofhumanism,thekeynote(thegreatspirit)ofRenaissance.ItsprangasaresultofrediscoveryandrestudyoftheGreekandRomancivilizationwhichisbasedontheconceptionthatthemanisthemeasureofallthings,theman-centeredculture.Itstandsfordevotiontothehumanevaluesrepresentedinclassicalliterature.11AculturalandintellectualmovementoftheRenaissancethatemphasizedsecularconcernsasaresultoftherediscoveryandstudyoftheliterature,art,andcivilizationofancientGreeceandRome.AttheheartoftheRenaissancephilosophywastheassertion(坚持,断言)ofthegreatnessofman.Intellectualsofhumanistbelievedinthepromotionofwealth,pleasureandafrankadmirationforthebeautyofhumanbody.Man’sinterestwasshiftedfromChristianitytoHumanity,fromreligiontophilosophy,fromheaventoearth,frombeautyofGodtothebeautyofthehumanbodyinallitsjoysandpains,sensesandfeelings.12StartofRenaissanceRenaissancehappenedgraduallyatdifferentplacesatdifferenttimes.Themovementoccurredindifferentcountrieswithdifferentemphasis.TheimpactwithItalywasmostlyinfinearts.(艺术—指诗歌、音乐、绘画、雕塑、建筑等)InFranceitwasliterature.InEnglanditwasphilosophyanddrama.ThestartingplaceoftheRenaissanceisalmostuniversallyascribedto(把…归于)CentralItaly,especiallythecityofFlorence.Italy—cradleoftheRenaissance.13RenaissanceinItalyLiteratureandPoetryFrancescoPetrarch(彼特拉克)(1304.7.20–19,1374.7.19)anItalianscholar,poet,andoneofthegreatesthumanistsduringtheRenaissance.aprimemover(发动者)intherecoveryofknowledgefromwritersofRomeandGreece.HeandDantearebothconsideredthefathersoftheRenaissance.14GiovanniBoccaccio(卜伽丘)(1313-1375)anItalianauthorandpoet,theauthorofthegreatworkDecameron(《十日谈》)TheDecameron:fullofpraisesoftrueloveandwisdomandsatireonthehypocrisyofthepriestandthearistocrat.Withthisbook,thecourtlythemesofmedievalliteraturebegantogivewaytothevoiceandmoresofearlymodernsociety.15Boccaccio(1313?-1375)Italian,livedinFlorenceduringhisformativeyears.Hisbestknownworkisacollectionofshortstories,TheDecameron16RenaissanceArtThedistinctfeaturesoftheRenaissanceArt1.Artbrokeawayfromthedominationofthechurch.2.Themesofpaintingchangedfrompurelycelestial(天上的,神圣的)realmtoanappreciationofnature&man.3.StudiesoftheruinsofRomanandGreektempleswerecarriedoutandtheprinciplesofancientcivilizationwerepracticed.4.Artistsintroducedintheirworksscientifictheoriesofanatomy(解剖学)andperspective(透视法).17EarlyRenaissanceArtistsGiotto(乔托)Donatello(多那太罗)FilippoBrunelleschi(伯鲁乃列斯基)SandroBotticelli(波提切利)Giorgione(GiorgiodeCastelfranco)(乔尔乔涅)18TheHighRenaissanceart(Late15th-andEarly16th-centuryItalianArt)ThisperiodrepresentedaculminationoftheRenaissance.Lastedfornomorethan40years.Artistsnolongerponderedtheartofantiquity.(古代)Theywenttheirownwaywiththetools,technology,trainingandconfidence.19The“BigThreeNames”oftheHighRenaissanceLeonardodaVinci达芬奇MichelangeloBuonarroti米开朗琪罗Raphael(RaffaelloSancio)拉斐尔20LeonardodaVinci(达芬奇)(1452-1519)auniversalgenius,famousforhismasterlypaintings,suchasTheVirginofthe