HayaoMiyazakiChrisWangEllaLiangAbnorzhang1968~201422animemovies5retirementannouncementForeverEndFairyTaleAboutHayaoMiyazakiHayaoMiyazakiBornJanuary5,1941(age73)Bunkyō,Tokyo,JapanOccupationFilmdirector,animator,screenwriter,mangaartistYearsactive1963–2014(asadirector)Spouse(s)AkemiŌta(m.1965)ChildrenGorōMiyazakiKeisukeMiyazakihisfirstfeaturefilm,LupinIII:TheCastleofCagliostro,releasedin1979。Afterthesuccessofhisnextfilm,NausicaäoftheValleyoftheWind(1984),heco-foundedStudioGhibli,wherehecontinuedtoproducemanyfeaturefilms.WhileMiyazaki'sfilmshavelongenjoyedbothcommercialandcriticalsuccessinJapan,heremainedlargelyunknowntotheWestuntilMiramaxFilmsreleasedPrincessMononoke(1997).PrincessMononokewasthehighest-grossingfilminJapanuntilitwaseclipsedbyanother1997film,Titanic,andthefirstanimatedfilmtowinPictureoftheYearattheJapaneseAcademyAwards.Miyazaki'snextfilm,SpiritedAway(2001),toppedTitanic'ssalesattheJapaneseboxoffice,wonPictureoftheYearattheJapaneseAcademyAwards,andwasthefirstanimefilmtowinanAmericanAcademyAward.Miyazaki'sfilmsoftencontainrecurrentthemes,likehumanity'srelationshipwithnatureandtechnology,pro-feminism,andthedifficultyofmaintainingapacifistethic.Theprotagonistsofhisfilmsareoftenstrong,independentgirlsoryoungwomen。Whiletwoofhisfilms,TheCastleofCagliostroandCastleintheSky,involvetraditionalvillains,hisotherfilmslikeNausicaäandPrincessMononokepresentmorallyambiguousantagonistswithredeemingqualities.Heco-wrotefilmsTheSecretWorldofArrietty,releasedinJuly2010inJapanandFebruary2012intheUnitedStates;andFromUponPoppyHillreleaseinJuly2011inJapanandMarch2013intheUnitedStates.Miyazaki'snewestfilmTheWindRiseswasreleasedonJuly20,2013andisplannedforaninternationalrelease.[3]MiyazakiannouncedonSeptember1,2013thatthiswouldbehisfinalfeature-lengthfilm.[4][5]Miyazakihasclaimedhewasretiringseveraltimes,butonSeptember6,2013,heassuredhisfansthatheis'quiteserious'thistime..However,heplansonpursuingnewgoals,suchasworkingontheStudioGhiblimuseum,onwhichhecommentedImightevenbecomeanexhibitmyself[[28]FellowanimatorIsaoTakahatahaspubliclystatedthathebelievesMiyazaki'sretirementtobenon-permanent,...DuringaNewYear'sEveradioshow,broadcastonTokyoFM,onDecember31,2013,ToshioSuzukispeculatedthatMiyazakimightrevokehislatestretirement(apparentlyhissixthtodate).RETIREMENT?SomeMovies,SomeStoryThreeThemeWarNatureGrowthAndonecenterTheWindRisesTheWindRises(風立ちぬ,KazeTachinu?)isa2013JapaneseanimatedhistoricalfantasyfilmwrittenanddirectedbyHayaoMiyazaki.[2]Thefilmisbasedonthemangaofthesamename,whichisinturnbasedonashortstorybyTatsuoHori,awriter,poetandtranslatorfrommid-20thcentury(Showaperiod)Japan.KazeTachinuisafictionalisedbiographyofJiroHorikoshi,designeroftheMitsubishiA5M(featuredinthemovie)anditsfamoussuccessor,theMitsubishiA6MZero.BothwerefighteraircraftthattheEmpireofJapanusedinWorldWarII.Miyazakisaidthiswillbehisfinalfilm.[3]Despitethemovie'sthemeisrelatedwithwar,TheWindRiseshasconveyedasilentantiwarmessage.ItsreleasedatewaswhenJapantakeahawkishstandonforeignpolicyinapoliticalenvironmentandsensitiveperiod.AndHayaoMiyazakihimselfhaspointedoutthatJapanshouldapologizeoverpastcrimesandnotfreetoamendtheConstitutionandsoonPrincessMononokeApacifistidealsyouthAsdacard,inordertoliftingthedemonGod‘scurse,hegetfarawayfromhometoseekforhelp,butwillshewasinvolvedwiththewarbetweenhumanandnaturalwhichrepresentedbyPrincessMononoke.Hetriedtopreventtheoutbreakofwar,butultimatelyfailed.Themankindandnaturalcausedestructiontobothsides,atlasttheyreachedatemporarypeace.NatureisaconstantthemeinMiyazaki,mustofhismovieputhumanintoapositionofabusers,andnatureasvictimtrytorevengevehemently.Andhumancannotopposefrenzynaturebutstilltrytofight,justlikepeopleinthevalleyofwind.HayaoMiyazakihatehuman’sgreedandpredation,andwishnaturecandestroyhuman-being,buthedon’treallywanttoletthechildrenbeliefallhumanisuglyandgreed,soinhismoviealwaysendupwithakindofharmony.SpiritedAway“besideofafiercefightingbetweenthejusticeandevil,rideonabusaloneandhaveaexpectantrouteismoreimportantforachildren.”HayaoMiyazakithinkthegrowthofachildrenismostwonderfulthing,andithavebeenconfirmintheSpiritedAway.hescriptcanberoughlysummedupasanadventurestory.Buttheriskdonothavebattlebetweenjusticeandevilasusuallycartoons,thereisnomagicalabilitiesandweapons.theroleofthecartoonalsoisnotthegoodorthebadabsolutely.Inordertosaveherparentsandpeoplewhoisimportanttoher,Chihiroalsomakeherowndecisionsfaceofallsortsofdifficultiesanddangers.Thefilmalsoasherpsychologicalchangeprocess.Fromacertainperspective,Thisisastoryofgrowingup,andfindingourselves,tellingusnevertogiveupwhenfacingdifficulties.WecanfindthatChihiromakeherselffromatimidlistlessgirlchangeintoabraveandresponsiblegirl,andattheendofthemovie,wearesodelightedtoseethatshebecomesolovely,andthatiswhatHayaoMiyazakiwanttoget.Akidshouldhaveaunexpectedtravelalone,thenhewillfindsomethingdifferent.Oneworld,oneMiyazakiIn1986,afterCityofskywereonshowinJapanwithabadboxoffice,hesaidhewouldneverdirectanotheranimemovie.AndwhenhisRedPiggetaprettyreputationin1992,heclaimedthat