搜索
TheJoyLuckClubTheJoyLuckClubisoneofthemyfavouritemovies,itbeginswiththemaincharacterAhmuir,justreturningtotheUnitedStatesfromthemainlandvisit,caughtupwithapartywhosemembersareallhermother’slifetimefriendsandtheirdaughterswhenmotherwasstillalive.Ahmuirisplayingmahjongwithaunts,sittingintheseatwhichwashermother’sbefore.Allthefourpeopleonthetable,withdifferentcharacters,havetheirownpainsandstrugglingstoriesbehind.AuntLin’ssmartnessandstrongnessletherselfgetridoftheidentityasachildbride,strivingtotoday'sposition;Auntyingyinghasunbearablememoriesinthepast,soshehopesherdaughterwillbebravelybeingherself;AuntAnmeiwasinfluencedbyhismother,knowingtomakevoicesinfrontofthefateofunfair;Whileahmuir'smother,becauseofthewar,gotapartfromherlittlechildrenaccidentally.Fourwomenareallsurvivingfromthepoor,gettingthroughtrailsandtribulations.Theydon'twanttheirowndaughtertorepeattheirtragedies.Butfourdaughtersintangiblywentthroughtheirlifeinaverysimilarwayastheirmother’s.Theycouldn’tunderstandmothers’hardcares,feelingconfused,painful.Astheymature,justknowtheirmother'swell-meaning.IfthemothersinThejoyluckclubrepresentthetraditionalChineseculture,thenthegroupofgirlsaretherepresentationsofmodernAmericancivilization.Theattentionofauthor,cansaytobreakthelong-standingcenterandedgetheoppositemode,behindthesurfaceculturalconflict,reachesadeeperculturalidentity.Americaissuchawhiteculturethatisdominant,multiculturalsociety,HowChineseimmigrantsbearthefinetraditionoftheChineseculture,andabsorbtheessenceofAmericanculture,soastoconstructsomethingthatbelongstothisgroupofculturalidentityisalwaystheconcernofmanyChinesewriters.Amytanisoneofthoseobserverstothesuperborderswithmulticulturalinsight.Bothnovelandmoviethejoyluckclub,throughtheintersectionofheterogeneousculture,provideforreadersandviewersanetwhichconsistsofdifferentnationsandthedialoguesbetweendifferentcultures.“Thejoyluckclubexpressesnotonlytheyounggenerationchasefortherootlessmemory,alsoisnotonlytheconfusionandthestruggleofethnicChinesethatbeinginsuchaculturalidentitydilemma,butthroughtheexpectationofthefusionoftwokindsofculture,expressedtheChinesepeoplearereluctanttoabandonandhidetheChineseculturalidentityinordertoservilelycatertothemainstreamcultureorinordertosqueezeintothemainstreamAmericansociety,nortosticktoChineseculturetofightagainstwiththewishesofthewhitemainstreamculture.Thefilmconveysonearguethattodownplayculturalidentitydefined,andtoeliminatethecultureantipathy.Soastoachievetheglobalizationofmultinationalcultureblendofpeacefulcoexistence.阿梅,从中国大陆访问,回到美国就赶上了一个政党的成员都是她母亲的一生的朋友和他们的女儿时,她还活着。阿梅阿姨一起打麻将,坐在母亲之前的位置。四人在桌子上,用不同的字符,背后都有自己的痛苦和挣扎的故事。林阿姨做的机灵和俺让她摆脱身份的童养媳,奋斗到今天的位置,阿姨迎迎不堪回首回忆过去,所以她希望她的女儿会勇敢地自己;阿姨Anmei受到母亲的影响,知道让声音在不公平的命运面前,阿梅的母亲,由于战争的原因,除了她的小孩不小心。四个女人都是survivaling从穷人,通过轨迹和磨难。他们不想让自己的女儿重蹈自己的悲剧。但四个女儿模糊地穿过他们的生活在一个非常相似的方式与他们的母亲。他们不能理解母亲的关心,感觉困惑,痛苦。当他们成熟,只知道她母亲的善意的。如果母亲在“喜福会”代表了中国传统文化,和该组织的女孩是美国现代文明的表现。作者的关注,可以说打破长期以来的“中心”和“边缘”相反的模式,表面背后的文化冲突,达到更深层次的文化认同。美国是这样一个白人文化占主导地位,多元文化的社会,中国移民如何承担中华文化的优良传统,并吸收美国文化的精髓,从而建构属于这个群体的文化身份的东西总是许多中国作家的关注。谭恩美是超国界的观察家与多元文化的洞察力。小说和电影,“喜福会”,通过异质文化的交汇,为读者和观众净,由不同的国家,不同的文化之间的对话,空间和时间。“喜福会”不仅表达了年轻一代追求的记忆飘没有根,也不仅是华人的混乱和斗争,在这种文化认同困境,但期望的两种文化的融合,表达了中国人民不愿意放弃和隐藏中国文化认同为了servilely迎合主流文化或以挤进美国主流社会,也不坚持华夏中国的文化来对抗白人主流文化的意愿。这部电影传达了一个认为淡化文化身份的定义,消除文化的反感,从而达到和平共处的全球化跨国文化的融合。