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Shewalksinbeauty周明媚刘琪杨霞李雯蓝春蕾shewalksinbeautyHebrewMelodies(希伯来诗歌),in1815.Shewalksinbeauty,likethenightOfcloudlessclimesandstarryskies;Andallthat'sbestofdarkandbrightMeetinheraspectandhereyes;Thusmellow'dtothattenderlightWhichheaventogaudydaydeniesOneshadethemore,oneraytheless,Hadhalfimpair'dthenamelessgraceWhichwavesineveryraventress,Orsoftlylightenso'erherface;WherethoughtsserenelysweetexpressHowpure,howdeartheirdwelling-place.•Andonthatcheek,ando'erthatbrow,•Sosoft,socalm,yeteloquent•Thesmilesthatwin,thetintsthatglow,•Buttellofdaysingoodnessspent,•Amindatpeacewithallbelow,•Aheartwhoseloveisinnocent!SheWalksinBeauty她姗姗于美影中Shewalksinbeauty,likethenight她姗姗于美影中如夜空Ofcloudlessclimesandstarryskies;万里无云布满繁星Andallthat'sbestofdarkandbright亮光与暗影极美妙地Meetinheraspectandhereyes:交会在她的花容和眼底Thusmellow'dtothattenderlight油油融入柔和的夜色Whichheaventogaudydaydenies.白昼照不出的绝代光泽Oneshadethemore,oneraytheless,减一分太淡增一分又太晕Hadhalfimpairedthenamelessgrace那言语难以形容的风韵Whichwavesineveryraventress,在乌黑的发丝中荡漾Orsoftlylightenso'erherface;或柔柔地在脸庞流闪Wherethoughtsserenelysweetexpress安详而甜蜜的思绪照映Howpure,howdeartheirdwelling-place.多么贞洁可贵的心灵Andonthatcheek,ando'erthatbrow,她的面颊她的眉梢Sosoft,socalm,yeteloquent,娇柔恬静又楚楚动人Thesmilesthatwin,thetintsthatglow,迷人的笑靥光彩焕发Buttellofdaysingoodnessspent,倾诉那流逝的美好芳华Amindatpeacewithallbelow,在与世无争的灵魂下Aheartwhoseloveisinnocent!心底的爱情纯真无暇！（尤克强译）她走在美的光影里她走在美的光影里，好像无云的夜空，繁星闪烁；明与暗的最美的形相交会于她的容颜和眼波，融成一片恬淡的清光——浓艳的白天得不到的恩泽。多一道阴影，少一缕光芒，都会损害那难言的优美：美在她绺绺黑发上飘荡，在她的腮颊上洒布柔辉；愉悦的思想在那儿颂扬，这神圣寓所的纯洁、高贵。那脸颊，那眉宇，幽娴、沉静，情意却胜似万语千言；迷人的笑容，灼人的红晕，显示温情伴送着芳年；和平的、涵容一切的灵魂！蕴蓄着真纯爱情的心田！（杨德豫译）她走在美中她走在美中，像夜晚万里无云，繁星满空；一切最妙的光与暗汇于她仪态，眼眸中：如此化成柔情闪闪上天不许俗画借重。增一分影，减一线光便折半的难言之美波动于绺绺青丝上，或淡淡照明她脸儿；思维静儿美的发扬所寓多么纯洁，高贵。而那脸颊上，眉宇间，太静，太闲，却又动人，迷人微笑，焕发容颜，流露贤淑欢度时辰，—一颗心灵，与众相安，一位佳人，爱情纯真。（施颖洲译）她在美中徜徉她在美中徜徉，她在美中穿行；象深邃的苍穹缀满繁星，象皎洁的夜空万里无云。明和暗多么协调，深与浅恰如其分；白昼的光线过于炫耀，柔和的夜色最为温馨。美汇入她的举止，美溶进她的眼神；美在乌黑的发际游弋，美在灿烂的脸上逡巡。不多一丝辉光，不少半点柔阴；包容的思绪弥足珍贵，潜藏的心灵更加香醇；在面颊，在眉宇，无言胜似有声；那里可以体察心绪的平静，那里可以领会情感的温存。那折服人心的微笑，那淡淡泛起的红晕，诉说着度过的优雅时光，透露出沉积的善良品性。人间万事平心以待，恰似美的天神；一颗心装着至爱，一颗心永远真纯。（吕志鲁译）诗中女子是怎样的形象呢？Byron我国古诗词是怎样描述女子的美的ClassicalPoem——descriptionofbeauty桃之夭夭，灼灼其华。之子于归，宜其室家。（摘自《诗经·桃夭》两弯似蹙非蹙罥烟眉，一双似喜非喜含情目。态生两靥之愁，娇袭一身之病。泪光点点，娇喘微微。闲静似娇花照水，行动如弱柳扶风。（摘自清·曹雪芹《红楼梦-赞黛玉》）ClassicalPoem——descriptionofbeauty手如柔荑，肤如凝脂。领如蝤蛴，齿如瓠犀。螓首蛾眉。巧笑倩兮，美目盼兮。（摘自诗经·《硕人》）云想衣裳花想容，春风拂槛露华浓。若非群玉山头见，会向瑶台月下逢。一枝红艳露凝香，云雨巫山枉断肠，借问汉宫谁得似？可怜飞燕倚新妆。（李白《清平调》）有何不同，不同在哪里？为什么拜伦笔下的女子是这样的形象？Byron’sFamilyByron’sfatherMadJackByron’smotherCatherineGordonByron’swifeMissMilbankeByron’sdaughterAdaByronGeorgeGordonByron,6thBaronByron.Hecreatedtheconceptofthe'Byronichero'-adefiant,melancholyyoungman,broodingonsomemysterious,unforgivableeventinhispast..Byron'sinfluenceonEuropeanpoetry,music,novel,opera,andpaintinghasbeenimmense..HewasthemostrenownedEnglish-languagepoetofhisday.EducationHarrowandCambridge1798-1809AtCambridge,hehadbecomeentrancedbythebeautifulfaceandangelicsingingvoice.whileastudent,Byronpublishedhisfirstcollectionofpoem,HoursofIdleness《悠闲的时光》(1807-19)，whichwerecruellyattacked.Twoyearslater(1809-21),intheformofasatire,EnglishBardsandScotchReviewers《英国诗人和苏格兰评论家》publishedandcausedgreatshockintheupperclasses.LiteraryWorksHoursofIdleness(1806)EnglishBardsandScotchReviewers(1809)ChildeHarold'sPilgrimage(1818)TheGlamour(1813)TheCorsair(1814)Lara(1814)TheSiegeofCorinth(poem)(1816)Cain(1821)TheVisionofJudgment(1821)TheAgeofBronze(1823)DonJuan(1819–1824):incompleteonByron'sdeathin1824)BackgroundOntheeveningofJune11,1814,Byronattendedaparty,attheLondonhomeofLadySarahCarolineSitwell.AmongtheotherguestswasthebeautifulMrs.AnneBeatrixWilmot,thewifeofByron’sfirstcousin,SirRobertWilmot.HerexquisitegoodlooksdazzledByronandinspiredhimtowrite“SheWalksinBeauty.”韵、律、意象RhymeSchemeandMeterTherhymeschemeababab;,cdcdcd;efefef.Alltheendrhymesaremasculine.Themeterispredominantlyiambictetrameter（四步抑扬格）,apatterninwhichalinehasfourpairsofunstressedandstressedsyllables—eightsyllablesinall.Thefirsttwolinesdemonstratethepatternfollowedthroughoutthepoemexceptforline6,whichhasninesyllables:1................2...........3...............4SheWALKS|inBEAU|ty,LIKE|theNIGHT1.................2.................3...............4OfCLOUD|lessCLIMES|andSTAR|rySKIESUseofAlliteration头韵Alliterationoccursfrequentlytoenhancetheappealofthepoemtotheear.Themostobviousexamplesofthisfigureofspeechincludethefollowing:Line2:....cloudlessclimes;starryskies.Line6:....daydeniesLine8:....HadhalfLine9:....WhichwavesLine11...serenelysweetLine14...Sosoft,soLine18...HeartWhoseOtherFiguresofSpeech其他修辞格Lines1,2:......Simile明喻comparingthemovementofthebeautifulwomantothemovementoftheskiesLine6:............Metonymy转喻，借代,inwhichheavenissubstitutedforGodorfortheupperatmosphereLines8-10:......Metaphor暗喻comparinggrace,aquality,toaperceivablephenomenonLines11-12:....Metaphorandpersonification拟人comparingthoughtstopeople;metaphorandpersonificationcomparingthemindtoahome(dwelling-place)Lines13-16:....Metaphorandpersonificationcomparingthewoman'scheekandbrowtopersonswhotellofdaysingoodnessspentImagery:LightandDarknessByronpresentsanetherealportraitoftheyoungw