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1IfalltheskywereparchmentandalltheseawereinkP.192Newformsaresimplycanonizationofinferiorgenres.P.353behinditsattributesP.374Notoftheletter,butofthespirit;fortheletterkilleth,butthespiritgivethlife.P.435Tohold,astwere,themirroruptonature.P.606selectiveimitationP.607Thisisanart/Whichdoesmendnature,changeitrather,but/ThatartitselfisNature(TheWintersTale,IV,iv.Polixenes)p.618Inshapetheperfectionoftheberry,inlighttheradianceofthedewdrop.(LordTennyson;AMemoir,byhisson,Vol.I,P.211)P.1149Apoemroundandperfectasastar.AlexanderSmith:ALifeDrama.11410Itusedtobesaidofafamouscricketeerthathebowledorbattedwithhishead.S.Alexander:BeautyandOtherFormsofValue,p.25P.21111Adirectsensuousapprehensionofthought.P.23212Bethouthineownhome,andinthyselfedwell;/Innanywhere,continuancemakethhell./Andseeingthesnaile,whicheverywheredothrome,/Carryinghisownehousestill,stillisathome.(CompletePoetryandSelectedProse,ed.J.Hayward,pp.153-4)JohnDonne:ToSirHenryWottonP.23213PoetryshouldstriketheReaderasaworkingofhisownhighestthoughtsandappearalmostaRemembrance.LettertoTaytor,27Feb.1818,H.E.Rollins,ed.,LettersI,238(Keats)axiomP.25514earpleasureP.26915mindpleasureP.26916unreasonableormagicalelementP.26917naturalmagicP.26918inspirationP.26919catharsisP.27020purificationP.27021AllArtsaspiretotheconditionofmusic.P.27122MostimitativeofartsS.H.Butcher:AristotlesTheoryofPoetryandFineArt,P.122.27123committedfornicationP.27324mentalfictionsP.27325Allemotion,Ofthoroughenough,wouldtakeonetoheaven.P.28826Thiscreativereasonthinkseternally.Ofthisunceasingworkofthought,however,weretainnomemory,becausethisreasonisunaffectedbyitsobjects.AristotlesPsychology,withIntroductionandNotes,byE.Wallace,P.161,P.272P.28927Nonecancareforliteratureinitselfwhodonottakeaspecialpleasureinthesoundofnames.Stevenson:AcrossthePlainsTuesdayP.29528SilenceandspeechactingtogetherP.30929Leavesomethingtothewillingintelligenceofthereader.P.30930thinkingintentlyofhisownnameP.31231andtheearthlookedblackbehindthem,/asthoughturnedupbyplows.Butitwasgold,/Allgoldawonderoftheartistscraft.Iliad,XVIII630-32.31832O!Oneglimpseofthehumanface,andshakeofthehumanhand,isbetterthanwholereamsofthiscold,thincorrespondence,etc.Works,ed.E.V.Lucas,VI,175P.32033habitualization,automatizationP.32034defamiliarizationP.32035rebarbarizationP.32036Graceofstylecomesfromarrangement..32537repose,perfectfitnessP.32838Ihavesuchasensitiveearthattherepetitionofawordirritatesmethreepagesaway.A.Rhodes,ThePoetasSuperman,46P.32939Wehavehadthebrowandtheeyeofthemoonbefore;butwhathavewereservedforhumanbeings,iftheirfeaturesandorgansaretobelavishedonobjectswithoutfeelingandintelligence?Letters:LaterYears,ed.E.deSelincourt,I,436P.34440Thefirstisphysical.Thesecondisintellectualandismuchhigher.ThethirdsignifiesanoblerpowerofthesoulwhichissohighandsonoblethatitapprehendsGodinHisownnakedbeing.SermonXIX,inJamesM.Clark,MeisterEckhart,220,cf.62MeisterEckhartP.36641MeisterEckhart,Sermon,XII:Itakeabasinfullofwater,placeinitamirrorandputitbelowthesunsdisc.Thereflectionofthesunisthesunwithinthesun,andyetthemirrorremainswhatitis..37142IfGalileohadsaidinversethattheworldmoved,theInquisitionmighthavelefthimalone.quotedinR.Gittings,TheOlderHardy,Penguin,1980,120P.38843Tocountchickenbeforetheyarehatched..39244EdwardYoung,ConjecturesonOriginalComposition:Ageniusdiffersfromagoodunderstanding,asamagicianfromanarchitect;thatraiseshisstructurebymeansinvisible,thisbytheskilfuluseofcommontools.E.D.Jones,ed.,EnglishCriticalEssays;16th,17thand18thCenturies,TheWorldsClassics,279P.41145E.H.Gombrich,ArtandIllusion,5thed.,1977,174-5,screen,thepowerofexpressingthroughabsenceofbrushandink.P.41546Themostbeautifulfigureisthesphereamongsolidsandthecircleamongplanefigures.DiogenesLaertes,VIII.35,Loeb,II,351P.43047Letit(themind)oncebecomeasphere,andsphericalitabides.MarcusAurelius,MeditationsVIII41,tr.J.Jackson,152P.43048OnaDropofDewSotheSoul,thatDrop,thatRay,OftheclearFountainofEternalDay,Does,initspureandcirclingthoughtsexpressThegreaterHeaveninanHeavenlessHelenGardner,ed.,TheMetaphysicalPoets,Penguin,1972,241AndrewMarvellP.43149Tillrollingtimeislostinroundeternity.Dryden,TheHindandPanther,PtIII,1.19P.43150Why,attheheightofdesireandhumanpleasureworldly,social,amorous,ambitious,orevenavariciousdoestheremingleacertainsenseofdoubtandsorrow?L.A.Marchand,Byron,1957,II,900P.43851Ihavethoughtsomeofnaturesjourneymenhadmademen,andnotmadethemwell,theyimitatedhumanitysoabominably.Hamlet,III.IiP.46452Onemayrememberthelionofmedievalbestiarieswho,ateverystepforward,wipedouthisfootprintswithhistail,inordertoeludehispursuers.L.Spitzer:LinguisticsandLiteraryHistory,inD.C.Freeman,ed.,LinguisticsandLiteraryStyle,1970,31P.46653Whydoesapaintingseembetterinamirrorthanoutsideit?LeonardodaVinci,Notebooks,tr.E.Maecurdy,II,272.48354Ofmakingmanybooksthereisnoend;andmuchstudyisawearinessofflesh.Ecclesiastes,xii.12P.50255Wit,youknowistheunexpectedcopulationofideas,thediscoveryofsomeoccultrelationbetweenimagesinappearanceremotefromeachother.Rambler,No.194,EverymansLib.,284;cf.R.Wellek,AHistoryofMo