CoverUnit12ClothesMaketheMan―Uneasy新世纪高等院校英语专业本科系列教材(修订版)综合教程第五册(第2版)电子教案上海外语教育出版社南京信息工程大学刘杰海综合教程5(第2版)电子教案LearningObjectivesLearningObjectivesRhetoricalskill:metaphor,synecdocheKeylanguage&grammarpointsWritingstrategies:expositiveessaybydeductivemethodTheme:masculinefashion综合教程5(第2版)电子教案Pre-R:pictureactivationPictureActivation|Pre-questionsWhatisthetypicalmen’swear?Orwhatclothesshouldmenwear?综合教程5(第2版)电子教案Pre-R:P_Q11.Whattowearandhowtowearitseemtobeverypersonal.Undercertaincircumstances,however,apersonshouldseetoitthatheorsheisproperlydressed.Whatkindofclothesdoyouusuallyliketowear?Doyouthinkitisimportantwhatapersonwears,especiallyinpublic?PictureActivation|Pre-questionsOpenfordiscussion.综合教程5(第2版)电子教案Pre-R:P_Q22.GonearethedayswhentheChinesewereallinblue,black,grey,orgreenuniforms.Nowtheyaredressedmuchmorecolorfully.Nevertheless,menseemtopaylessattentiontowhattheywearthanwomen.Whatsocialroledoyouthinkmen'sclothesplay?PictureActivation|Pre-questionsOpentodiscussion.综合教程5(第2版)电子教案G-R:text-intro-aThisexpositoryessaydealswiththechangesinmasculinefashion,focusingonthedrasticchangesintheWestinthe1960s,pointingoutthesignificanceofmasculinechoicesofclothes,andlayingbaremasculinenarcissismandvanity.Thetextisintendedtotellusthatmenfounditquiteeasytodressthemselvesbeforethe1960s;thedifferencebetweenmen'sandwomen'sclothesusedtobeaneasymatterfromeverypointofview.Butsincethebeginningofthe1960s,therateofchangeinmasculinefashionhasaccelerated,andmenhavefounditimpossibletoresistthechanges.TextIntroduction|CultureNotes|Author|Structure综合教程5(第2版)电子教案G-R:text-intro-bMenhavehadtomakeandvaluechoicesofclothes,whichstamptheirownidentity.Inthe1960s,menkeenlyfeltandvigorouslysupportedthetinydifferencesintheirchoices,fortheyattachedtoomuchimportancetotheirindividualidentity.Inthepresentage,masculinefashionpreferencesarealsocloselyrelatedtomen'snarcissismandvanity.Nowadays,itisnolongereasytodistinguishbetweenmen'sandwomen'sclothes.TextIntroduction|CultureNotes|Author|Structure综合教程5(第2版)电子教案G-R:culture-notes-SunkingLouisXIV(5September1638–1September1715),knownasLouistheGreat(LouisleGrand)ortheSunKing(leRoi-Soleil),wasaBourbonmonarchwhoruledasKingofFranceandNavarre.Hisreignof72yearsand110daysisoneofthelongestinFrenchandEuropeanhistory.TextIntroduction|CultureNotes|Author|Structure综合教程5(第2版)电子教案G-R:authorbioAnneHollander(1930-)isanativeofClevelandwhowaseducatedinNewYorkCity.Anexperiencedobserverofandwriteronthehistoryoffashion,sheagainturnstothatsubjectintheessayClothesMaketheMan—Uneasy.HerworksincludeSeeingThroughClothes,SexandSuits;FeedingtheEye;andFabricofVision:DressandDraperyinPainting,etc.TextIntroduction|CultureNotes|Author|Structure综合教程5(第2版)电子教案LosAnglesTimesNEWSBYDESIGN:Suits,Glorious,Suits:They'renomereclothes,anartcriticsays.Theycanturnamanintoaworkofart.September22,1994|PATRICIAWARDBIEDERMAN,TIMESSTAFFWRITERAnneHollanderismadaboutsuits.Otherpeoplemaydismissthemasdrearysymbolsofconformity,thepredictableretreatoftheterminallyunimaginative.NotHollander.Inhernewapologia,SexandSuits(AlfredA.Knopf),theartcriticcontendsthatthesuitisnothinglessthananaesthetictriumph,agranddesignthatcontinuestopleasehundredsofyearsafteritsinvention.综合教程5(第2版)电子教案LosAnglesTimesFEATUREDARTICLESBOOKSItAllStartedWithVermeer:MOVINGPICTURESbyAnneHollander(AlfredA.Knopf:$29.95;295pp.)July30,1989|DouglasMesserli,Messerli,apoetandcritic,directsSun&MoonPress.andWithgreateruditionandintellectualfacility,AnneHollanderarguesinMovingPicturesthatmotionpicturesarerootedinthevisualartoftheDutchandFlemishgenrepaintersofthe17thCenturyandtheirimpact,inturn,uponartistsasdiverseasTiepolo,Piranesi,Canaletto,Hogarth,Goya,Turner,Whistler,andothers.综合教程5(第2版)电子教案G-R:structureanalysisTextIntroduction|CultureNotes|Author|StructurePart1Part2Part3(1)priortothemid-1960salargenumberofmenfeltincertainrespectsmoreuneasyaboutwhattowear(2-5)themainpartoftheexpositiveessay:masculinefashion(6)whymenhatefashionrisksandthenproceedstodescribemasculinefashionpreferencesandtheirpurposesinthecontemporaryage.综合教程5(第2版)电子教案DR-p1-atextCLOTHESMAKETHEMAN―UNEASYAnneHollander1.Thelastdecadehasmadealargenumberofmenmoreuneasyaboutwhattowearthantheymighteverhavebelievedpossible.Theideathatonemightagonizeoverwhethertogrowsideburnsorweartrousersofaradicallydifferentshapehadneveroccurredtoawholegeneration.Beforethemid'60swhethertowearatiewasthemostdramaticsartorialproblem:everythingelsewasasubtlematterofsurfacevariation.DetailedReading综合教程5(第2版)电子教案DR-p1-btextWomenhavebeensoaccustomedtodealingwithextremefashionforsolongthattheyautomaticallybracethemselvesforwhateveriscomingnext,includingtheirownwillingnesstoresistorconformandalltheprobablemasculineresponses.Meninmoderntimeshaveonlylatelyfeltanypressuretopaythatkindofattention.Allthedelicateshadesofsignificanceexpressedbythesmallrangeofpossiblealternativesusedtobeabsorbingenough:Double-orsingle-breastedcut?Sportsjacketandslacksorasuit?Shoeswithplainorwingtip?DetailedReading综合教程5(第2版)电子教案DR-p1-ctextThechoicesmenhadhadtomakeneverlookedverymomentou