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本科生毕业论文（2016届）外国语学院题目：论译者视角下《楚辞•九歌》英译本的对比研究------以阿瑟•韦利和孙大雨译本为例学0号：201210010410姓名：张卫专业班级：英语124指导教师：黄生太职称：讲师2016年4月24日OntheComparisonoftheEnglishVersionsofJiuGefromthePerspectiveoftheTranslators'SubjectivityPapersubmittedtotheEnglishDepartmentofZhejiangAgriculture&ForestryUniversityinPartialFulfillmentoftheRequirementsfortheDegreeofBachelorofArtsBy张卫English124Supervisedby黄生太April24,2016本科生毕业论文诚信承诺书我谨在此承诺：本人所写的毕业论文《论主体性视角下楚辞·九歌英译本的对比研究——以阿瑟•韦利和孙大雨译本为例》是在导师的指导下，由本人独立完成，其中凡涉及其他作者的观点及材料，均已注明，若有不实，后果由本人承担。承诺人（签名）：张卫2016年4月24日i摘要我国第一部浪漫主义诗歌总集《楚辞》开创了我国积极浪漫主义创作的源头，在中国史诗上占有重要地位。自19世纪以来，《楚辞》英译吸引了国内外学者的广泛关注，但翻译界对《楚辞》的英译研究大都集中在《离骚》上，《九歌》英译方面的研究却是凤毛麟角。《九歌》虽被翻译成多种英译本，但各版本之间的差异颇大，故本文旨在以阿瑟·韦利和孙大雨《九歌》英译本为例，从译者主体性视角下探究英译本存在差异的因素。译者因为自身文化立场，翻译动机以及美学观点的不同,比如说阿瑟·韦利和孙大雨由于自身所接受的文化不同，在翻译过程中阿瑟·韦利面向普通大众，其译本通俗易懂，而孙大雨面向知识分子，故译本语言更为精炼优美。故笔者旨在通过两译本在意义重组翻译，特殊文化意义词的翻译，比如说植物，神话意象的翻译，译本翻译风格以及所采取的翻译策略等方面的不同之处，探究译者自身文化立场，翻译动机以及美学观点在对翻译诗歌的影响。关键词:译者主体性；《九歌》英译；对比研究iiAbstractChuCi,thefirstcollectionofromanticpoemsinChineseliterary,hascreatedthebeginningoftheromanticisminChina,whichholdanimportantroleintheChinesePoetry.ChuCihasattractedtheextensivescholarsfromhomeandabroadsince19thcentury,however,thegreatattentionhasbeenputonthestudyofLiSao,andfewscholarshavebeeninterestedinthestudyofJiuGe.Infact,therearesomeEnglishversionsthroughyears,butgreatdifferenceofthoseversionsisanothertoughproblem.ThisthesisintendstoexploretheoriginofthedifferenceoftheEnglishversionsfromtheperspectiveofthetranslator’ssubjectivity.Englishversionsshowdifferencebecauseofthedisparitiesoftranslator’sculturalattitude,motivationoftranslation,aestheticinclination.Forexample,themaintargetreadersofWaleyarecommonpeoplewithsimpleandeasily-understoodtranslationstyles,whileSun’sreadersaremanoflettersthetranslationofwhichisbeautifulandelegant.Theauthoraimstoprobeintotheinfluenceoftranslator’sculturalattitude,motivationoftranslation,aestheticinclinationinthetranslationthroughtheanalysisofthereproductionofmeaning,translationofcultural-loadeditemsinJiuGelikethetranslationofplantnamesandMythologicalImage,andtranslationstyleaswellastranslationstrategies.Keywords:Translators'Subjectivity；EnglishTranslationofJiuGe;ComparativeStudyiiiContents1Introduction.................................................................................................12LiteratureReview.......................................................................................22.1TheBriefSurveyoftheEnglishVersionofJiuGe................................23Translator’sSubjectivityandthePresentenceintwoEnglishVersions43.1Translator’sSubjectivity.........................................................................43.1.1TheSubjectofTranslation...................................................................43.1.2DefinitionoftheTranslator’sSubjectivity..........................................53.2Translator’sSubjectivityinTwoEnglishVersions.................................53.2.1CulturalAttitude..................................................................................63.2.2Motivationoftranslation.....................................................................73.2.3AestheticInclination............................................................................74ComparisononEnglishVersionsofJiuGe..............................................84.1ReproductionofMeaning.......................................................................84.2TranslationofSomeCultural-loadedItemsinJiuGe............................94.2.1TranslationofPlantNames............................................................94.2.2TranslationofMythologicalImage..............................................104.3TranslationStyle....................................................................................124.3.1TranslationStylesinTwoEnglishVersions.................................124.3.2TheChoiceofWords....................................................................134.4TranslationStrategies............................................................................145Conclusion.................................................................................................14Bibliography...................................................................................................15Acknowledgements........................................................................................16浙江农林大学本科生毕业论文11Introduction1.1ResearchObjectivesChuCi,theresourceofChineseromanticpoetry,issaidtobetheearliestcollectionsofromanticpoemshasanirreplaceablepositioninChineseliterature.Moreover,ChuCihascreatedtheromantictraditionoftheChineseclassicalworksthroughitsextravagantdiction,fantasticimaginationaswellasviolentemotions.Therefore,ithasbeenofvitalsignificancetoChinesepoetry.Andsomethingworthmentioningisthepatriotisminthework,whichisperhapsonereasontobeenduringandlastingintheChinesehistory.Intheearly19thcentury,thepublicationoftheEnglishtranslationofLiSaoinTheChinaReviewhasarousedgreatinterestsamongscholarsathomeandabroad,givingrisetoaboomingt