搜索
1.TheprogressofbourgeoiseconomymadeEnglandapowerfulstateandenabledherin1588toinflictadefeatontheSpanishInvincibleArmada.T2.TheProtestantReformationwasinessenceareligiousmovementinapoliticalguise.F3.BeforetheReformation,theEnglishBiblewasuniversallyusedbytheCatholicchurches.F4.Shakespeare’ssonnetsaredividedintothreegroups:Numbers1—17,Numbers18—126,andNumbers127—154.T5.Shakespeare’ssonnetsarewrittenforvarietyofvirtues.T6.Shakespearewroteabouthisownpeopleandforhisowntime.T7.Toreproducethereallife,Shakespeareoftencombinesthemajesticwiththefunny,thepoeticwiththeprosaic(散文体的)andtragicwiththecomic.T8.UtopiaisMore’smasterpiece,writtenintheformoflettersbetweenMoreandHythloday,avoyage.F9.Boththegentlemenandthecommonpeoplewenttothetheatres.ButtheupperclasswasthedominantforceinElizabethantheatre.T10.FromShakespeare’shistoryplays,itcanbeseenthatShakespearetookagreatinterestinthepoliticalquestionsofhistime.T11.Generallyspeaking,afterShakespeare,theEnglishdramawasundergoingaprocessofprosperity.F12.EnglishRenaissancePeriodwasanageofpoetryanddrama,andwasanageofprose.F13.Utopia,BookOne,describesanidealcommunistsociety.F14.Englishliteratureofthe17thcenturywitnessedaflourishonthewhole.F15.TheRevolutionPeriodisalsocalledAgeofMiltonbecauseitproducedagreatpoetwholenameisWilliamMilton.F16.ThemainliteraryforminliteratureofRevolutionPeriodisdrama.F17.AmongtheEnglishpoetsduringtheRevolutionPeriod,JohnDonnewasthegreatestone.F18.ThegreatestepicproducedbyMilton,ParadiseLost,iswritteninheroiccouplets.F19.The18thcenturywasanageofpoetry.Agroupofexcellentprosewriters,suchasJonathanSwift,SamuelRichardson,HenryFielding,wereproduced.F20.Novelwritingmadeabigadvanceinthe18thcentury.Themaincharactersinthenovelswerenolongercommonpeople,butthekingsandnobles.F21.The19thcenturyproducedthefirstEnglishnovelists,whofallintotwogroups:thesentimentalistnovelistsandtherealistnovelist.F22.RobertBurnsisrememberedmainlyforhissongswrittenintheEnglishdialectonavarietyofsubjects.F23.MyHeart’sintheHighlandsisoneofthebestknownpoemswrittenbyRobertBurnsinwhichheporedhisunshakableloveforhishomeland.T24.ManyofGoldsmith’spoemswereputtomusic.F25.Pre-romanticismisusheredbyBurnsandBlakeandrepresentedbyPercy,MacphersonandChatterton.F26.EnglishRomanticliteraturestartedfrommid-18thtotheearly19thcentury.F27.JaneAustenisoneofthegreatestromanticwomannovelists.T28.AftercomposingtheLucypoems,WordsworthbeganhisThePrelude.T29.P.B.Shelleygainedhisnickname,“MadShelley”becauseofhisindependentandrebelliousattitude.T30.LyricalBalladsbeginswithColeridge’slongpoem,“TinternAbbey”.F31.ManyofthesubjectsofthepoemsinLyricalBalladsdealwithelementsofnature.T32.ColeridgewrotethemajorityofpoemsinLyricalBallads.F33.Wordsworth’s“IWonderedLonelyasaCloud”hasanothername,GrowthofaPoet’sMind.F34.ThePreludeisalongandautobiographicalpoemconsideredasColeridge’smasterpiece.F35.Someromanticwritersstoodonthesideofthefeudalforcesandevencombinedthemselveswiththoseforces.T36.WordsworthandColeridgearerevolutionaryRomanticpoets.F37.ByronandShelleyandKeatsareknownastheromanticpoetsofthesecondgeneration.T38.Theromanticistspaidgreatattentiontothespiritualandemotionallifeofman.T39.JaneAustenisawriterwhoregardsnovelwritingasasophisticatedart.T40.ThestoryofShelley’sPrometheusUnboundwastakenfromRomanmythology.F41.ShelleyisoneoftheleadingRomanticpoets,anintenseandoriginallyricalpoetintheEnglishlanguage.T42.Byron’sDonJuanbeginswithdescriptionsofthehero’schildhood.T43.Byron’sliterarycareerwascloselylinkedwiththestruggleandprogressivemovementsofhisage.T44.Byronopposedoppressionandslavery,andhasapassionateloveforliberty.T45.Wordsworthdrewinspirationsfromthemountainsandlakes.T46.Dickens’ThePickwickPapersgivesarathercomprehensivepictureofearly19thcenturyEngland.T47.Mr.PickwickandSamWellerweretwomajorcharactersinThePickwickPaperswhicharousedtheinterestsofthereaders.T48.InOliverTwist,Dickensmakeshisreadersawareoftheinhumanityofcountrylifeundercapitalism.F49.ThetitleBleakHouseisnotonlythenameofahousebutisalsoanapt(贴切的)descriptionofthesocietyofthetime.T50.HardTimesisafierceattackonthebourgeoissystemofeducationandethics(论理学，道德学)andonutilitarianism(功利主义）.T51.ATaleofTwoCitiestakestheIndustrialRevolutionasthesubject.F52.ThethemeunderlyingATaleofTwoCitiesistheidea“Wherethereisoppression,thereisrevolution.”T53.ThestoryofTessisfilledwithafeelingofdismalforebodinganddoom.T54.FatefulcircumstancesandtragiccoincidencesaboundinthebookofJudetheObscure.F55.JamesJoyceandVirginiaWoolfarethetwobest-knownnovelistsofthe“streamofconsciousness”school.T56.WiththeestablishmentoftheJacobindictatorshipinFrance,Wordsworth’sattitudetowardrevolutionchangedintoactive.(F)57．IntherevisedversionofLyricalBallads,Coleridgeheldthatpoetryisthe“spontaneousoverflowofpowerfulfeeling”.(F)58.Romanticismisaliterarytrend.ItprevailedinEnglandintheperiod(1798---1832)(F)59.TheidealsofFrenchRevolutionareliberty,democracy,andequality.(F)6.Thebrilliantliterarycriticism“BiographiaLiteraria”iswrittenbyWordsworth.(F)60.ATaleofTwoCitiesbelongstothefirstwritingphaseofDickens’scareer,and