查尔斯狄更斯写作风格及作品简介

YangYanmei(Part1)XuHaifen(Part2)Wuxin(Part3)——thegreatestrepresentativeofEnglishcriticalrealismQuestionsonCharlesDickens’Life:•Lifeandcareer•FeaturesofDickens’Novels•ThreeperiodsofhiswritingcareerCharlesDickens查尔斯·狄更斯(1812—1870)狄更斯故居书房及桌椅DickenswasbornonFebruary7,1812,inPortsmouthandspentmostofhischildhoodinLondonandKent,bothofwhichappearfrequentlyinhisnovels.Hisfather,apoorclerkintheNavyPayoffice,wasputintoprisonfordebtwhenyoungCharleswasonly12yearsold.Hehadtogiveupschoolingtoworkinaundergroundcellar.HisbitterexperiencewasreflectedinmanyofDickens'snovels.In1827,Charlesenteredinalawyer'soffice,andtwoyear’slater,hebecomeaParliamentaryreporterfornewspapers.From1833,DickensbegantowriteoccasionalsketchesofLondonlife,whichwerelatercollectedandpublishedunderthetitleSketchesbyBoz.HisLifeExperience:*C.DisoneofthegreatestVictorianwriters英国维多利亚小说最重要的代表*“thegeniuswhomostfullyexpressedhiscontemporariesinthecommoninterest”---StefanZweig“一个最充分地表达了他同时代人的共同趣味的天才”（斯蒂芬-茨威格语）。FeaturesofDickens’Novels狄更斯文学创作的特色Sharpsocialcriticism.尖锐的社会批评Gentlehumanitarian.温和的人道主义vividoutwardportrayal生动的人物塑造HumorousandPungentirony幽默辛辣的讽刺TheexamplesofhishumorousandpungentironyHisskinisnothealthy,thelackofanaturalpigment,ifhewascut,perhapseventheflowofbloodiswhite.他的皮肤是不健康的，缺少了自然的色素，如果他被刀割了以后，可能连流出来的血也是白的。（《艰难时世》）Hedoesn‘thavemuchhair,youprobablythoughtitwasbecausehetalkedtoomuchandmakeshairturnaway,leavingitabitdisorganizedandprickedup,alsobecauseofhisstrongwindwafted,putthemintothesame.他没有多少头发，你可能以为是由于他谈话谈得太多而把头发谈掉了，剩下来的那一点儿杂乱无章地竖了起来，也是由于他那大风似的吹劲儿，把它们吹成那个样子的。（《艰难时世》）Earlyperiod(1836-45):狄更斯的早期创作特点Gentlesocialcriticism温和的社会讽刺Fantasticoptimism充满幻想的乐观精神Novelapicaresca“流浪汉小说”的结构模式Exaggeration夸张的艺术手法HisrepresentativeworksofthattimeThePickwickPapers《匹克威克外传》（1837）OliverTwist《奥利佛·退斯特》(又名《雾都孤儿》)（1838）TheOldCuriosityShop《老古玩店》（1839）NicholasNickleby《尼古拉斯·尼科尔贝》（1841）Themiddleperiod(1846-57):狄更斯的中期创作Hecriticisebourgeoisandtheirmorality对资产者及其道德的辛辣批判GentleMoralism温和的道德主义Theplotandstructurearemorecompleteunified情节结构更为完整统一Humorandsatire幽默讽刺风格HisrepresentativeworksofthattimeAmericanNotes《美国札记》（1842）MartinChuzzlewit《马丁·瞿述伟》（1843）DombeyandSon《董贝父子》（1848）DavidCopperfield《大卫·科波菲尔》（1852）Thelaterperiod(1858-70):狄更斯的晚期创作HumorandsatireSocialCriticism广泛、尖锐的社会批判GentleReformismandStronghumanitarian温和的改良主义和强烈的人道主义Explorationofman’sinnerconflicts尖锐的矛盾冲突主导情节设计Symbolism象征手法HisrepresentativeworksofthattimeBleakHouse《荒凉山庄》（1853）HardTimes《艰难时世》（1854）LittleDorrit《小杜丽》（1857）ATaleofTwoCities《双城记》（1859）GreatExpectations《远大前程》（1861）OurMutualFriend《我们共同的朋友》（1865）TheEndThanksForYourAttention.