Lecture5TheRepresentativesofAmericanEnlightenment:PhilipFreneau(1752-1832)PhilipFreneau(1752-1832)“PoetoftheAmericanRevolution”“FatherofAmericanPoetry”“PioneeroftheNewRomanticism”“Agiftedandversatilelyricpoet”《美洲光辉的兴起》《夜之屋》《英国囚船》1.Works•“TheRisingGloryofAmerica”(1772)•“TheHouseofNight”(1779,1786)•“TheBritishPrisonShip”(1781)•“TotheMemoryoftheBraveAmericans”(1781)•“TheWildHoneySuckle”(1786)•“TheIndianBuryingGround”(1788)•“TheDyingIndian:TomoChequi”《纪念美国勇士》《野金银花》《印第安人墓地》《奄奄一息的印第安人:托姆·察吉》2.HisLife•HewasborninNewYork.•At16,heenteredtheCollegeofNewJersey(nowPrincetonUniversity).Hedecideddoapostgraduatestudyintheology.Buttwoyearslaterhegaveitup.(Whilestillanundergraduate,hewroteincollaborationwithoneofhisfriends(H.H.Brackenridge)apoementitled“TheRisingGloryofAmerica”.)•LaterheattendedtheWarofIndependence,andhewascapturedbyBritisharmyin1780.•Afterbeingreleased,hepublished“TheBritishPrisonShip”in1781.•Inthesameyear,hepublished“TotheMemoryoftheBraveAmericans”.•Afterwar,hesupportedJefferson,andcontributedgreatlytoAmericangovernment.•Butafter50yearsold,helivedinpoverty.Andatlasthediedinablizzard.•Hewasthemostsignificantpoetof18thcenturyAmerica.•Someofhisthemesandimagesanticipatedtheworksofsuch19thcenturyAmericanRomanticwritersasCooper,Emerson,PoeandMelville.ThematicConcern:•1.DeathandTransience•2.Imagination•3.Cravingfornatureandfreedom•HispoemspresentedRomanticspiritsbuthisformandtasteweremainlyinfluencedbyClassicism.TheWildHoneysuckle•ThispoemwaspublishedinhisPoems(1786)andwasvirtuallyunreadinthetimewhenhewasliving.•Thepoemissaidtoanticipatethenineteenth-centuryromanticuseofsimplenatureimagery.•Itisconsideredoneoftheauthor’sfinestnaturepoems.WhatisaHoneysuckle?•Honeysuckle:itisoneofthemostbeautifulofallwildflowersforitsscentandabilitytogrowindifficultplaces.•Growsonacidsoilsandoldmines,railwaytracksandisagoodherbaceousplant.Theflowersareshortlivedbutlovely,oftenfoundoncanalswhereitlikesthewaterthatisavailable.•忍冬花。俗称金银花。TheWildHoneySuckle:•Readthepoemonp.45andtrytogetthemainidea:Thefirststanza•Fairflower,thatdostsocomelygrow,•Hidinthissilent,dullretreat,•Untouchedthyhoneyedblossomsblow,•Unseenthylittlebranchesgreet:•Norovingfootshallcrushtheehere,•Nobusyhandprovokeatear.RhymeScheme(韵式)•1.Concept:Thearrangementofrhymesinapoemorstanza.•2.types:•1.endrhyme(尾韵)occursattheendofaline.•1)联韵:“aabb”型。•Ishotanarrowintotheair,a•Itfelltoearth,Iknewnotwherea•For,softlyitflew,thesightb•Couldnotfollowitinitsflight.b•HenryWadsworthLongfellow:TheArrowandtheSong2)交叉韵:abab型•Sunsetandeveningstar,a•Andoneclearcallforme!b•Andmaytherebenomoaningofthebar,a•WhenIputouttosea,b•AlfredTennyson(1809-1892):CrossingtheBar3)同韵:有的诗押韵,一韵到底,大多是在同一节诗中共用一个韵脚。•如下例就共用/i:p/为韵脚•Thewoodsarelovely,darkanddeep,ButIhavepromisestokeep,AndmilestogobeforeIsleep,AndmilestogobeforeIsleep.•RobertFrost(1874-1963):StoppingbyWoodsonaSnowyEveningWhatistheRhymeSchemeofTheWildHoneySuckle?•Grow-retreat-blow-greet-here-tear•a-b-a-b-c-cMetricalpattern(iambictetrameter)•Fairflower,thatdostsocomelygrow•﹀\﹀\﹀\﹀\•Hidinthissilent,dullretreat•﹀\﹀\﹀\﹀\•Untouchedthyhoneyedblossomsblow,•﹀\﹀\﹀\﹀\•Unseenthylittlebranchesgreet:•﹀\﹀\﹀\﹀\•Norovingfootshallcrushtheehere,﹀\﹀\﹀\﹀\•Nobusyhandprovokeatear.•﹀\﹀\﹀\﹀\•美好的花呀,你长得:这么秀丽,却藏身在这僻静沉闷的地方——甜美的花儿开了却没人亲昵,招展的小小枝梢也没人观赏;没游来荡去的脚来把你踩碎,没东攀西摘的手来催你落泪。•大自然把你打扮得一身洁白,她叫你避开庸俗粗鄙的目光,她布置下树荫把你护卫起来,又让潺潺的柔波淌过你身旁;你的夏天就这样静静地消逝,这时候你日见萎蔫终将安息。•那些难免消逝的美使我销魂,想起你未来的结局我就心疼,别的那些花儿也不比你幸运——虽开放在伊甸园中也已凋零,无情的寒霜再加秋风的威力,会叫这花朵消失得一无踪迹。•朝阳和晚露当初曾把你养育,让你这小小的生命来到世上,原来若乌有,就没什么可失去,因为你的死让你同先前一样;这来去之间不过是一个钟点——这就是脆弱的花享有的天年。TheWildHoneySuckle•“Thewildhoneysuckle”isPhilipPreneau’smostwidelyreadnaturallyricwiththethemeoftransience.Inthispoemthepoetexpressedakeenawarenessofthelovelinessandtransienceofnature.Henotonlymeditatedonmortalitybutalsocelebratednature.Itimpliesthatlifeanddeathareinevitablelawofnature.•thepoemshowedstrongfeelingsforthenaturalbeauty,whichwasthecharacteristicofromanticpoets.3.Whatlessonscanwedrawfromthepoem?•Thewildcanalsobebeautiful.•Everyoneshouldtakeanactiveattitudetowardlife.neveravoidchallengesforfearoflosingsomething.•Onecan’tachieveanythingundertheshelterandprotection.TheIndianBuryingGround•DeathintheIndiantraditionhasadifferentmeaning.Itisnolongerthatsadanddreadfuleventthateveryoneisafraidof.•TheNorthAmericanIndiansburytheirdeadinasittingposture;decoratingthecorpsewithwampum,theimagesofbirds,quadrupedsandwithbows,arrowsandothermilitaryweapons.•ThedeadIndianisdressedinspecialclothesasthoughcelebratingahappyevent.Thedeadpersonbecomesawarriorwhoprotectstheland.Thisexplainshispostureandthewayheisdressedin.Theconceptionofdeathinthisculturemakesofitadifferentonefromthewhiteman’s.•TheQueenofShebaAssignment:•ReadToaCaty-Didonp.49