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金工1603班吴尚蓉Fashionisaperiodofpopularcultureandsocialenvironment,thefashiontrend,istheexpressionofthepopularculture.Fashionablethingscanrefertoanyofthethingsinlife,suchasfashionablehairstyle,fashion,lifestyle,fashionbrand,stylishclothing,andsoon.Aperiodofthesocialenvironmentofadvocatingpopularculture,changingcharacteristicisyoung,personality,andthepublicrecognitionandfollowsuit.AboutthedressTodaytherearealotofclothingstylesarefashionable,butmyfavoriteandthinkthemostfashionableLolitafashionstyleclothing.Forme，Lolitafashionistheyounggirlheartandprincessdreamweavingclothes,eachLolitafashionstyleofdressisfulloffantasy.LolitafashionisafashionsubcultureoriginatinginJapanthatisbasedonVictorianandEdwardianclothing,butthestylehasexpandedgreatlybeyondJapan.Inthe1990s,brandssuchasPrincessPrincessbegantoriseinpopularity.ThispopularitywasinpartfurtheredbythesuccessofearlyvisualkeibandsthroughoutJapan,withiconssuchasManaofMaliceMizerfoundinglolitainspiredmagizines.whichpromptedthestyletobecomepopularizedinTokyowithJapaneseyouth.Inmanyways,thespreadofayouthfulaestheticcouldbeseenasamodestparalleltotheriseofthekinderwhoreaestheticandtheinfluenceofvisuallydistinctgirlpowerstyleoftheSpiceGirlsthroughoutthewest.Visually,theaestheticisgenerallyfarmoreelaborateandleanstowardsmoremodeststylingsthantheyouthfocusedfashionofthe90s.SweetLoveLolitahasaSweetandlovely.Giveprioritytowithpink,takealotofLace,maderuffledskirt,canshowtheimageofcutedoll.SweetLoveLolitaSweetLoveLolitaGothicLolitaGothicLolitaisgivenprioritytowithblackandwhite,alittlelesscomparedwithSweetLoveLolitachildlikeinnocence,morediffusethehorrorsofdeathandgrace,outofthemysteryterror,pessimismanddespair.GothicLolitaClassicLolitaClassicLolitainasimple,lessLaceandmorecuttingisgivenpriorityto,morethanskirtlotusleaffold,expressesthenobilityiselegant,matureandeasyfeeling,likeagirlfulloftemperamentnobleIsalsotheonlyonethatcanretaintheessenceofrococoandVictoriaLolita,throughthefloralandpinktoshowtheeleganttaste,andmorethanblackandwhiteisseparate.ClassicLolitaI’mdeeplyimpressedbymanyplotsofthismovie.ManypeoplesaythatAndyisaCinderellaandhasherowndream.Formypart,althoughsheturnsbacktoherplainlooking,itcannotexplainMiranda’sfaultorbadfashion.Iquiteapproveofherviewpointwhensheentersthecompany.Wecan’tchangeourselvesbecauseofonejob.Nowadaysmanyyoungpeoplelosethemselvesinthisworldoftemptation.Theylosesightoftheirdreamsandcometotermswiththerealworld.Mostpeopleworktolive,notlivetowork.Weshouldconsiderworkingaspartofourlives.Andy’sstoryisnotatragedycausedbyherbossbutaracebetweentwodreams.Inthelastscene,Andy,dressedcasuallybutwithabitmorestyle,seesMirandagettingintohercaracrossthestreet.TheyexchangelooksandMirandagivesasoftsmileonceinsidethecar.Twoheroinesdonotcompromiseandtheycontinuetopursuetheirrespectivedreamswithouthesitation.Theyappreciateeachotherandleavepreciousmemories.Allinall,wemusthavedonesomethingright.Ibelievethatholdfasttomydream,andthenIcanrealizemydream.