Peking-opera

PekingOperaIsPekingOperaanythinglikewesternopera?E:\Pekingopera\歌剧名曲我的太阳.flvPekingOperacombinesmanyartforms:singingandrecitation,traditionalChinesemusic,poetry,dancing,pantomime(打手势;演哑剧),elaboratecostumesandmake-up,acrobaticsandmartialarts.Whetherofthewarriortypeornot,anactormustundergoyearsoffundamentaltraininginmartialskills.E:\Pekingopera\京剧名段标清(1).flvTheoriginofPekingoperaPekingOpera,alsoknownasBeijingOperaorCapitalOpera,isChina’smostpopularkindoftraditionalopera,circulatinginBeijing(asthecenter)andtherestofthecountry.TheoriginofPekingoperaTime:BackinYear55duringthereignofQianlongofQingDynasty.ThefourAnhuitroupesofSanqing（三庆）,Sixi（四喜）,Chuntai（春台）andHechun（和春）inthesouthmovedtoBeijinggradually.TheyhadcooperatedwiththeHantuneartistsfromHubeiandaccommodatedpartoftheprogramsofKunOperaandQinTune.京剧的形成:标志:四大徽班进京（1790年）成熟:1840年京剧的唱腔:皮黄腔西皮腔——源于甘肃陕西一带二黄腔——南方长江中下游京剧腔调西皮：高亢、喜悦E:\Pekingopera\京剧西皮小开门.flv二黄：低沉、忧郁E:\Pekingopera\京剧曲牌二黄小开门.flv板式：原板，快板，慢板流水板，导板，散板，摇板等ThemelodyofBeijingOperamaybeclassifiedintotwogroups:Xipianderhuang.ThemelodyofBeijingOpera“四大徽班”为乾隆皇帝的八旬“万寿”的庆典演出结束后，没有南返，留在了北京。“徽戏”的名声，一天比一天大，北京城的大戏园几乎都被“徽戏班”占领。京剧不是土生土长在北京的地方剧种，而是在“徽戏”、“汉戏”的基础上，吸收“昆曲”、“梆子”、“弋腔”和诸多地方小调的精髓，根据北京的语言特点，加以融化衍变而成的“国剧”。TheperformanceinmusicTheaccompanimentofPekingOperacomesinQuietSettingandDynamicSetting:fortheQuietSetting:theHuqinfiddle胡琴(Jinghufiddle京胡),PekingErhu京二胡,Yuezither月琴,Xianzi弦子,flute笛子andtrumpet唢呐,withHuqinfiddleasthemaininstrument;E:\Pekingopera\民乐小合奏《北京一夜》-演奏：姜克美,郭雅志,张强.flvfortheDynamicSetting:drumclappersaremainlyusedbesidesLittlegongandBigGong小锣、大锣ascomplement.E:\Pekingopera\京剧锣鼓经.flvTheinstrumentincludestwoparts:oneisWenchang(windinstrument),oneisWuchang(percussioninstrument)唆呐笙月琴三弦京二胡京胡QuietSetting板大锣单皮鼓小锣堂鼓DynamicSetting京剧伴奏乐器Intermsofliterature,performance,musicandstagearts,PekingOperahasasetofstandardizedproceduresofperformance.Singing,dialogue,acting,martialarts.(唱，念，作，打)《群英会》《打渔杀家》《空城计》《贵妃醉酒》《三岔口》《霸王别姬》《四郎探母》《玉堂春》《长坂坡》《将相和》《穆桂英挂帅》《杨门女将》《海瑞罢官》《曹操与杨修》《沙家浜》《红灯记》《智取威虎山》《骆驼祥子》E:\中西文化概论\Pekingopera\[铡美案.包龙图打坐在开封府.mp4“TheDrunkenConcubine”TheDrunkenBeautyYangGuifei,concubineoftheEmperorLiLongjioftheTangDynasty,madeanappointmentwiththeemperoronedaytoattendabanquetattheHundred-FlowerPavilion,buthedidn’tshowupbecausehehadgonetoanother’sconcubine’splace–theWestPalace.Humiliatedandirritated,YangGuifeifeltchokedbysadness.Shedrankheavily,orderingGaoLishiandPeiLishitoreplenishthecuptimeandtimeagainuntilshegotdrunk.Disappointed,shefinallyreturnedtoherpalace.E:\Pekingopera\贵妃醉酒.flv《贵妃醉酒》剧照“FAREWELLMYCONCUBINE”楚汉相争，诸侯多叛楚归汉。汉王刘邦听从张良等人的计策，与诸侯会合击楚。当时楚霸王项羽屯兵垓下，兵少食尽，被汉王军队重重包围。项羽夜不能寐，忽听四面楚歌同时响起，原来此为张良的计谋。《霸王别姬》剧照姬：指西楚霸王项羽的宠妾虞姬。《史记·项羽本纪》记载：霸王项羽在和刘邦夺封建统治权的战争中，最后兵败，自知大势已去，在突围前夕，不得不和虞姬决别。E:\Pekingopera\霸王别姬.flvThisastoryaboutsusan.susanisaveryfamouscourtesan,sheisfallinlovewithwangJinglong.Butwhenwangrunoutofallhismoneyinbrothels(妓院),hehavetoleave.苏三起解(4)E:\Pekingopera\京剧苏三起解唱段.flvE:\京剧名段标清.flvE:\中西文化概论\Pekingopera\580期梨园春孔莹李梦雅牛欣欣戏曲联唱高清.mp4SimilaritiesandDifferencesbetweenChineseOperaandWesternOperaDiscussionThefourgreatmastersofPekingOpera梅兰芳《霸王别姬》剧照尚小云《昭君出塞》剧照程艳秋《锁麟囊》剧照荀慧生《红娘》剧照ThefourgreatmastersofPekingOpera王瑶卿给四大名旦每人一个字的评价，直接反映各人特色。梅兰芳——“样”(扮相秀美，“讨老婆要像梅兰芳，生儿子要像周信芳”)程砚秋——“唱”(注重四声，追求“声、情、美、水”的高度结合)荀慧生——“浪”(功底深厚，嗓音宽亮，唱腔刚劲)尚小云——“棒”(唱腔中融入了河北梆子的唱腔、唱法、表演的精华)梅兰芳ThemasterofPekingOpera:isgoodatplayingtheroleofwomeninBeijingoperas,called“Dan”梅兰芳（1894年-1961年），1894年生于北京，出生于京剧世家。Mei’smasterpieceplays:FarewellMyConcubine(霸王别姬)TheDrunkenConcubine(贵妃醉酒)Re-commandingtheArmy(穆桂英挂帅)ScatteringFlowers(天女散花)EternalRegret(长恨歌)Mei’sstagephotos当代名家方荣翔《探阴山》剧照孟广禄《锁五龙》剧照杨赤《九江口》剧照于魁智《上天台》剧照李军《将相和》剧照王佩瑜《四郎探母》剧照李胜素《贵妃醉酒》剧照张火丁《江姐》剧照袁慧琴《杨门女将》剧照京剧－坐宫对歌标清.flv京剧《坐宫》选段于魁智李胜素标清.flv京剧的rapRevolutionaryoperaTheEightmodelplays八个样板戏:RevolutionaryoperareferstothemodeloperasplannedandengineeredduringtheCulturalRevolutionbyJiangQing,thewifeofChairmanMaoZedong.TheEightmodelplayswerethemostfamousofthefewoperasandballetsthatwerepermittedduringtheCulturalRevolution(1966-1976).TheEightmodelplaysTheLegendoftheRedLantern（红灯记）Shajiabang(沙家浜)TakingTigerMountainbyStrategy（智取威虎山）RaidontheWhiteTigerRegiment(奇袭白虎团)OdeoftheDragonRiver(龙江颂)theHarbor(OfficialEnglishtitle:OntheDock)(海港)andtwoballets:RedDetachmentofWomen(红色娘子军)TheWhite-HairedGirl(白毛女)红灯记TheRedLantern沙家浜Shajiabang京剧红灯记：都有一颗红亮的心.flvTheeightmodelsofrevolutionarymodernoperas智取威虎山TakingTigerMountainbyStategy海港Seaport今日痛饮庆功酒标清.flv奇袭白虎团RaidtheWhite-TigerRegiment龙江颂OdeoftheDragonRiver白毛女TheWhite-HairedGirl红色娘子军RedDetachmentofWomen舞剧白毛女：扎红头绳.flvSimilaritiesandDifferencesbetweenChineseOperaandWesternOperaDiscussion中国戏曲与西方歌剧.pptThesymbolismSymbolismisveryimportantinPekingOpera,withoutbeingsubjecttothelimitationsoftimeandspace.Sincethereareveryfewstagepropstheactorsuseparticularbodymovementstosuggestasituation.Thatissymbolism.Therearemanyestablishedmovementstosignifyopeningorclosingadoor,enteringorleavingaroom,goingupordownstairs,climbingamountainorwadingacrossastream.Itisthroughthese