-亚文化-概念形成史浅析

20081120086ForeignLiteratureNov.2008No.6,2008:,,,,::G0:A:100225529(2008)0620093210,2030,,,,,,,,2060,,(),(DavidPopenoe)(199911):,,,(:78),(KenGelder)(TheSubculturesReader),:(subcultures),39(non2normative)/(Gelder:1),subculture,:,(domi2nantculture);,(community),:,,,,,()(),,;,,(MichaelBlake),,,;(Blake:8),,,,(AntonioGramsci),(negotiate),,,,,,(counterculture),,(),(:150),,,(),()(),,,,4920086,,,,,,,,2030,,,16,(precursorylog2ics),,,,161660,,,;(non2pro2ductivity),(Gelder,2005:2),,(HenryMayhew)19(LondonLabourandtheLondonPoor),18491850(MorningChronicle),18611862:,,,,()(Gelder:45)19,(1852),,(),()()(Gelder:2),20(,,),59,(FerdinandTonnies),(),,,1887(GemeinschaftundGesellschaft),(),(Gesellschaft),,(Gemein2schaft),(Volk),(Gelder:6),,2040,,(massculture),,,,,,(),,,,,(),,,,,,(Gelder,2005:6),,,,(devi2ance),(EmileDurkheim)(anomie),,;,(Gelder:6),2030(subculture)2040,,6920086,,2020,,2060,(RobertE.Park)1915,20,,,,,,19211931,,,(),(participantobser2vation),,,,,(socialdisorganization),(Geld2er&Thornton:2325),,,,,,(MiltonM.Gordon)sub2culture1947,1944(DictionaryofSo2ciology)culture2sub2area,(sub2division),(Gelder&Thornton:43),(ArnoldW.Green)1946highlyorganizedsubcultures,,(populationsegment,),,,(),(Gelder&Thornton:41),,1955,(Al2bertK.Cohen):(DelinquencyBoys:theCultureofGang),,79,,(problem2solving)(),:,(statusfrustration),,1950,,,(Cohen:121),,,,,,(HowardBecker),(),(Outsiders:StudiesintheSociologyofDeviance,1963)(labelingtheory):,,(),,,,(Becker:9),,,()(StanleyCohen),(),1972(FolkDevilsandMoralPanics),1970,(JohnIrwin),,,(Gelder&Thornton:6768),,,,,8920086,,,,,,,,,,207080,1964(CCCS)(Cul2turalStudies),,,,(),(,),,,,,,(objectivate)(Hall&Jefferson:10),,,,,,,(Hall&Jef2ferson:13),(),,,(teddyboy)(skinheads)(mods)(punk)(hippie)1970,2(bricolage),(represent),(style),,,,,99(),,1970,,()2080,,,,,(),(PierreBourdieu)(Ju2dithButler),(subcul2turecapital)(scene)(tribe),(SarahThornton),,()(,),,,;20,(post2subculturessdudies)(post2subculturaltheory);(Muggleton&Weinzi2erl:39;Bennett&Kahn2Harris:11),,,:////,,,(),,,,([raveparty]),(Mug2gleton&Weinzierl:52)(),,(trace),,,,00120086,,,,,,,,,,,,1970;,,,,,,,,,,,,,,,:,;,,(Gelder:11),,(),,(),?,?,(,)?()?,,,,,:1.Becker,Howard.Outsiders:StudiesintheSociologyofDeviance,NewYork:FreePressofGlencoe,1963.2.Bennett,Andy&KeithKahn2Harris,eds.AfterSub2culture:CriticalStudiesinContemporaryYouthCul2ture.Houndmills,Basingstoke,Hampshire,NewYork:PalgraveMacmillan,2004.3.Blake,Michael.Comparativeyouthculture:thesoci2ologyofyouthculturesandyouthsubculturesinAmer2101ica,Britain,andCanada.London,Boston:Rout2ledge&K.Paul,1985.4.Cohen,AlbertK.DelinquencyBoys:theCultureofGang.London:Routledge&KeganPaul,1956.5.Gelder,Ken,ed.TheSubculturesReader,2ndEdi2tion.LondonandNewYork:Routledge,2005.6.Gelder,Ken&SarahThornton,eds.TheSubculturesReader.LondonandNewYork:Routledge,1997.7.Hall,Stuart&TonyJefferson.ResistanceThroughRituals:YouthSubculturesinPost2warBritain.Lon2don:Hutchinson,1976.8.Muggleton,David&RupertWeinzierl,eds.ThePost2subculturesReader.Oxford&NewYork:Bergpublishers,2003.9.:(),:,199910.::,2004:,1000812008109-12,,,:::,,,,,,,,,,,,,,()20120086womeninpost2Sovietliteraturefromnarrativediscourseoftheheroines,thechangesintheimagesofwomenportraitedbytherealists,thefeaturesofpostmodernheroinesandofotherliteraryschools,thenar2rativemethodsoftheheroesandheroines,andcomparisonbetweentheimagesofwomeninpost2Sovietlit2eratureandthoseinWesternliterature.LUOShipingBorder2InscribingandBorder2Crossing:(Post)ColonialLiteratureintheContextofGlobaliza2tion82Border2inscribinginworldliteratureseparatesthedescendantgenealogyof(post)colonialliteratureintopartsandpieces.Inthecontextofglobalization,weoughttogoacrosstheborderlinebetweenWesternlit2eratureandEasternliteraturetolinkthedescendantworksin(post)colonialliteratureasawhole,intheThirdSpaceHomiBhabhaopenedup,withtheever2changinginteractiverelationshipasthemainline,andestablishthegenealogyof(post)colonialliterature.MENGDengyingATentativeAnalysisontheHistoricalConceptionofSubculture93Althoughsubcultureasaformalacademictermappearedinthe1930s,thesubculturesassomespecialkindofpeoplehavebeenexistingformorethan400years.Subcultureshavebeendescribedasthedeviant,wanderinggroupswithoutproductivity.TheChicagoSociologySchoolcontinuesthistraditionallogic,analy2zingthesocialreasonofthedeviantgroups.TheBirminghamSchoolpaysmoreattentiontothesubculturespanti2powerpoliticsthroughritualresistance,extendingthedimensionsofclass,race,age,genderandsoon.SomescholarsinrecentyearshavebeguntocriticizetheheroicidealismoftheBirminghamSchool,em2phasizingthehybridityofsubculturepsidentity.LIChenjianCulturalPoliticsinTranslation:OnSeamusHeaneypsTranslationofSweeneyAstray103SeamusHeaneyisnotonlyaworld2famouspoetbutaprestigioustranslator.BasedonthecanonicIrishpoemBuileSuibhne,thenewversionofSweeneyAstrayisHeaneypsfirsttryintranslation.ThispaperaimsatdisclosingtheculturalsignificanceofSweeneyAstraybyanalyzingthehistoricalcontextfromthe1970sto1980sandthetranslatorpsstrategies.ThepaperarguesthattheSweeneystoryservesasametaphorforNorthernIrishculturaldil