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2002420025ContemporayCreativeConsciousnessandtheImaginationofFilmlizationontheRewritingformNoveltoFilmDirectedbyChungYimouJ901ChungYimouRewritingFilmlizationImagination40112233571821131316117220323272815111213245637P367P3683P17337P547P5164180,337P5450X22097P731538010141112OKMTV907P247P33119447P502801313P7813P2862875P26014P2053157P3317P522312345[1][A]90[C],2000P136[2][M]1995P31[3][J]19882P4143[4][N]1997-5-27[5][M]1994P159[6][J]20005[7][M]2002P51[8][M]1997P10[9][J]19992P8994[10][J]19973P2628[11][M]2000P3334[12][J][13][M]1987P87[14][M]1985P205[15][A][C]1987P7475[16][M]1998[17][M]1998[18][M]1963[19][M]1985[20][M]1987[21][M]1985[22][M]1992[23][M]1991[24]SW[M]1992[25][M]1988[26]DG[M]1983[27][M]1984[28][M]1998[29][][M]2001[30][M]1997[31][M]1987[32][M]199711101238023123AbstractChungYimourewritesthenovelsuccessfully.That'stheimportantreasonofhismovie'ssuccess.Forthedifferentnatureofnovelandmovie,themovieisdifficulttoberewrittentruthfullytotheoriginal.Fromthestart,ChungYimouputthefootingonthelawofmovie,andtriedhisbesttogivefullplaytomovie.ThispaperfocusonthreepointstoChungYimou'srewriting..Establishmentofpurport:Strengthenofsubjectiveconsciousnessduringtherearrangement.Inordertoexpresshisowncreativepurpose,individualityandartisticstyle,ChungYimoualwayshasahandintheplaywritinganddeletesorchangesthenovel.1.EstablishmentofpurportWhenchooseanovel,ChungYimouwilldetermineapurportandfundamentalartisticstyleofthemoviefirstly.Thenhewillsimplifythethemeofthenovelbycuttingoutthesuperfluous.Forexample,onMoYan'snovelRedKaloLing,ZhangYimou'smostintensivefeelingisthevigorandvitalityoflife.Thereforehemakesitasthemovie'spurportandcutofftheplotanddetailswhichisnotrelatedtoit.2.StrengthofpurportInthemovieRedKaoLing,ChungYimougaveprominencetoenthusiasticpart,suchasDianJiao,Yehe,Zaojiu.Atthemeantime,heavianzedsocialenvironment,whichmakestheheroandheroineinthemoviehaveafreelife.3.SettingoffthepurportbycontrastChungYimou'ssubjectiveconsciousnessalsohasbeenembodiedinthechangeoftheenvironmentofmovie.Sometimesthischangewasbecauseoftheneedofmovie'stheme,sometimesitbecauseofChungYimou'sexperienceandfeeling.Butfinally,itspurposewastosettingoffthepurportbycontrast.Addupall,ChungYimouregardsnovelassourcematerial..Thoughtofculture:cultureselectionduringrewritingThoughtofcultureisthecommoncharacteristicofThefifthgenerationincludingChungYimou.Firstly,helikestochoosethenovelconnectedwithculture.Secondly,hegivesexpressiontothemetaphysicalcultureideawithvisualimagebysimplifyingthethemeandintensifyingthevisualization.1.CriticismtotraditionalcultureInhisearlyyears,ChungYimou'sthoughtofculturefocusesonthecriticismtotraditionalculture.Onthebasisoforiginalnovel,ChungYimoucreatesaseriesofceremony,whichmakespeopleseetheculturedirectly.ThemostcreativeceremonyisinthemovieHangingtheredLantern.Theceremonyhasbeensublimatedandbecomethesymbolofculture.2.ConflictionbetweentraditionalcultureandcontemporarycultureQiuJugoestothecourtisrewrittenaccordingtoChenYuanbin'snovel.ChungYimoutransformedtheemphasisfromtheexpressofdailylifetothethoughtofculturebychangingthecauseoflawsuit.ThereforetheanswerwhichQiuJuaskedbecamethecompoundingoftraditionalcultureandmoderncivilization,butshecannotdistinguishthem.Inthemovieshewasconfusedwiththefinalresult.Infactherconfusionhadbeendestinedalreadybecauseofherstubbornaction.3.CultureshockbetweenintelligentsiaandpublicHavetalkfriendlytellsacomedicstoryincityaboutChungQiushengandZhaoXiaoxuai.Theycanberegardedasrepresentationofintelligentsiaandmasspeople.ChungQiusheng'sweaknessreflectsthatintelligentsiahaslosttheirformalstation.HetriedhisbesttopersuadeZhaoXiaoshuaifromviolence,buthefailed.Thismovieembodiesthethoughtoftheintelligentsia'sdifficultsituationinmodernsociety..Aestheticpursuit:variedsearchduringrewritingInordertorealizethetransformfromnoveltomovie,ChungYimoukeepsmakinginnovationaccordingtohisunderstandingaboutmovienature.Hismoviehasplentifulaestheticcharacterandartisticstyle.1.PromotiontodecomposingaestheticsThiskindofaestheticconceptadvocatescentralizingconflictionoflife.Underthedirectionofit,ChungYimouselectedtheconflictingplotandconcentratedthemtogether,suchasRedKaoLing,JuDou,Hangingtheredlantern.Forinstance,inthemovieJuDou,heshortenedthetimespanofnovelandmadethemoviehaveawell-knitplot.Afterrearrangement,theyaremoreattractive.2.PursuitoftherecordableaestheticsThestressofthisconceptisreproducingandrecordingtheoriginalstateoftruelife.QiuJugoestothecourtissuchamoviefullofthisidea.Thedetailsinthemovielookverytruthful.ChungYimoushootsthemovieinaspecialway.Thatishidingthecinecameraandshootingthemovieinthestreetwithoutotherpeople'sknowingexceptactors.TheappearanceofQiuJulookssameasacountrywoman.Herimageisbothtypicalandtruthful.3.ApplicationofimageaestheticsChungYimouconsidersthattheartofdirectoristheartoftransformingwordstovisualimage.Hepaysspecialattentiontovisualimage.Healwaysselectsthepartofnovel,whichcanbeembodiesonscreeneasily.Healsoutilizedthemeansofsymbolizationandmetaphor.Fromthemwecanseethegreatpotentialofframeandsound.39