20世纪美国黑人文学批评理论

©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.:20,,,,20,,,,,1900,(PaulineHopkins)(W.E.B.DuBois),,,,,(doubleconsciousness),,,,,,,,20,,,(HarlemRenaissance)(AlainLocke)1925,,,2220©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(LangstonHughes),,(identity),;,,,,,,1927,(RichardWright),,,,,40(ZoraNealeHurston),,,,(JamesBaldwin),1949:,,,,,1964,(BlackPowerMovement),20,,60,,,,(Blackness);,,,,,,,(Amiri3220023©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.),,,,(1970),:,,1967,,(HoytW.Fuller)(LarryNeal)(StephenHenderson)(AddisonGayleJr.),1968,,,,1968,,,,,,,,,,,:1971,,,1974,,,,,,,,,(HoustonA.Baker,Jr.),,,,bk,,,1976,(LarryNeal),,(197574220©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.),70,,-(HenryLuoisGatesJr.):,,blB(RobertStepto)(DexterFisher)1976,,80,,,:,,:(1986)60,70,,,bm,,,,,,,:(text2milieu),:,,,,,,bn,,bo,,,,A(JoyceA.Joyce):(1987)5220023©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(BarbaraChristian)(1988),,:70,,,,bp(BarbaraSmish),1977,,,,,,:,,bq,,E(DeborahEMcdowell),,,:,17461980(1981),,80,(AliceWalker)(womanism),br,(bellhooks),:,,,,,bs8090,,,,,90,(blackqueertheory,)(CharlesNero)19916220©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.(Lubiano):bt(subtext),,,,,,blbtWinstonNapier,ed.AfricanAmericanLiteraryTheory,NewYorkUniversityPress,2000,p.1,p.5,p.11.:,,20005:,:,,19991:,,19982LangstonHughes,TheNegroArtistandtheRacialMountain,BlackExpression,NewYork:WeybrightTalley,1970,p.262.:,,19936:,,1973,66bkHurstonA.Baker,Jr.,TheJourneyBack:IssuesinBlackLiteratureandCriticism,P.xi.bm:,,20002bn:,,19951boS:1955,:,1988,129bp:,:,,1997,356bq:,,19971br:,,20004bs[]-:,,,2001,309-310(::215006):7220023©1994-2010ChinaAcademicJournalElectronicPublishingHouse.Allrightsreserved.:PerceptionandConception,AnAnalysisofHeleneCixous’ConceptofFemaleWriting.BlackAmericanLiteraryTheoryintheTwentiethCenturyAbstract:TheblackAmericanliterarytheorycameintobeingintheearlytwentiethcentury,andhasgraduallybecomeoneofthedominantschools.Fromtheperspectiveofitsdevelopment,blackAmericanliterarytheoryhasundergonedifferentstages:frombeingradicaltobeingintrospective,fromadvocatingAfro2centricityandblacknationalismtoattentiontothecommonquestionsofhumanbeings,fromtheoreticalconstructiontoitsdeconstructionandthentoitsreconstruction.BlackAmericanliterarytheorydeepensourunderstandingofmarginalandminoritydiscourse,andcontributesgreatlytotheconstructionofChineseliterarytheory.Keywords:blackliterarytheoryblackaestheticsblackfeministcriticismculturalstudiesHuangHui(19712)isPh.D.candidateofcomparativeliteratureatSuzhouUniversity.HisrecentpublicationsincludeStudyofthe20thCenturyComparativeLiteratureinChina,CulturalDialecticsasaParadigmofCulturalStudiesintheNewCentury.OnRobertGraves’HistoricalFictionandPoetryAbstract:RobertGraves’historicalnovelshavethefollowingcharacteristics:minuteportrayalofhistoricalfigures,realisticreconstructionofpoliticalintrigues,militaryadventuresandeverydaylifeofimperialRome.Hislifelongdevotiontopoetrymadehimamajorpoetofourage.ThispapertriestogiveacomprehensiveassessmentofGraves’achievementsinthewritingofhistoricalnovelandpoeticcomposition.Keywords:RobertGraveshistoricalnovelEnglishpoetryWangShouren(19552)isprofessorofEnglishattheSchoolofForeignStudies,NanjingUniversity.HisresearchareasareinAnglo2AmericanfictionandEnglisheducation.HeNing(19742)islectureratSchoolofForeignStudies,NanjingUniversity.HisresearchareasareinBritishpoetryandAmericanfiction.AestheticsandWorldviewinKeats’ToAutumnAbstract:InhislaterworkToAutumn,Keatsexpressedhisaestheticideasoferadicatingtheidentityofthepoetbymerginghimintothenaturalworld.Hetriedtorealizethecreativepowerofthepoet’simaginationinanaturalandrealisticstyleandretainedthepoeticspontaneitythroughanexpressionofthepoet’sinnerfeelings.Theseaestheticconcernsultimatelycombinedwithhisunderstandingoflife,theworld,aswellashisloveforhiscountry,constitutinghishumanisticspirit.Thus,hispoeticpursuitgoesbeyondaestheticismandbecomesaforerunnerofthe20thcenturypoetics.861